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Kym Maxwell with student performers from Dandenong Primary School, Objects of Longing (2018-2019), Shapes of Knowledge, MUMA, 2019

Kym Maxwell with student performers from Dandenong Primary School, Objects of Longing (2018-2019), Shapes of Knowledge, MUMA, 2019

Objects of Longing has been generously supported from Gandel Philanthropy and Creative Learning Partnerships, Creative Victoria – A Victorian Government Initiative and Dandenong Primary School.

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Large format publication dedicated to the theatrework A Wharfies Story

Large format publication dedicated to the theatrework A Wharfies Story

Publication A Wharfie’s Story- play, protest, consequence: Kym Maxwell and the Collingwood College Theatre Troupe, 2019. A 320 page self-published book with Ingram Press. Designed by Paul Mylecharane and Beaziyt Worou with text contributions by Lisa Radford, Rosemary Forde, Jim Beggs and myself: publication images by Keelan O’Hehir, Christian Capurro and Christos Crocker. Available Perimeter Book, MCA Store and Amazon Distribution

Objects of Longing (2018-2019) (install shot), Shapes of Knowledge, MUMA, 2019

Objects of Longing (2018-2019) (install shot), Shapes of Knowledge, MUMA, 2019

Image: Christian Capurro

Objects of Longing (2018-2019) (Install shot), Shapes of Knowledge, MUMA, 2019

Objects of Longing (2018-2019) (Install shot), Shapes of Knowledge, MUMA, 2019

Image: Christian Capurro

The Objects of Longing Project in Six Part (culturally speculating about a work of art as a social context, considerations by way of Stephen Willats), 2019, Shapes of Knowledge, MUMA

The Objects of Longing Project in Six Part (culturally speculating about a work of art as a social context, considerations by way of Stephen Willats), 2019, Shapes of Knowledge, MUMA

Image: Christian Capurro

Raven, student costume for Objects Are A Limbic System Embrace Their Logic, 2018-2019, Shapes of Knowledge, MUMA 2019

Raven, student costume for Objects Are A Limbic System Embrace Their Logic, 2018-2019, Shapes of Knowledge, MUMA 2019

Image: Christian Capurro

Objects Are a Limbic System Embrace Their Logic (2018-2019), Monash University Museum of Art Forecourt

Objects Are a Limbic System Embrace Their Logic (2018-2019), Monash University Museum of Art Forecourt

Performed and co-created with the students and staff of Dandenong Primary School

Act 3: Science Lab ( The teacher takes the knife)

Image : Keelan O’Hehir

Gallery Project Team Objects of Longing (2018-2019), MUMA

Gallery Project Team Objects of Longing (2018-2019), MUMA

With student cast and staff of Dandenong Primary School. Image: Keelan O’Hehir

Objects are a Limbic System Embrace Their Logic

Objects are a Limbic System Embrace Their Logic

To be presented at Dandenong Primary School, December 6th, at 5:30pm, 2019. This is a public event.

 Kym Maxwell, Objects of Longing Project  research phase,  with Dandenong Primary School (August), 2018. Photography Keelan O’Hehir.

Kym Maxwell, Objects of Longing Project research phase, with Dandenong Primary School (August), 2018. Photography Keelan O’Hehir.

 Kym Maxwell, Objects of Longing Project  research phase,  with Dandenong Primary School (August), 2018. Photography Keelan O’Hehir.

Kym Maxwell, Objects of Longing Project research phase, with Dandenong Primary School (August), 2018. Photography Keelan O’Hehir.

 Kym Maxwell, Objects of Longing Project  research phase,  with Dandenong Primary School (August), 2018. Photography Keelan O’Hehir.

Kym Maxwell, Objects of Longing Project research phase, with Dandenong Primary School (August), 2018. Photography Keelan O’Hehir.

 Kym Maxwell, Objects of Longing Project  research process, Museum of Anticipation tent  with Dandenong Primary School (July), 2018. Photography Keelan O’Hehir

Kym Maxwell, Objects of Longing Project research process, Museum of Anticipation tent with Dandenong Primary School (July), 2018. Photography Keelan O’Hehir

'Collaborative Teacher', Objects of Longing Project, sets, props, costumes phase, with Dandenong Primary School (October) 2018

'Collaborative Teacher', Objects of Longing Project, sets, props, costumes phase, with Dandenong Primary School (October) 2018

Kym Maxwell, Objects of Longing Project, Museum Collections phase, MUMA Art Collection, with Dandenong Primary School (July), 2018.

Kym Maxwell, Objects of Longing Project, Museum Collections phase, MUMA Art Collection, with Dandenong Primary School (July), 2018.

Image: Kym Maxwell, includes image of Destiny Deacon and Virigina Fraser, Forced into Images (1995), MUMA Art Collection

The Cap, Sword, Note and Teacher's TEXTA

The Cap, Sword, Note and Teacher's TEXTA

Kym Maxwell, The Cap, Sword, Note and Teacher's TEXTA, (Site BNWPS and WPS various locations internal school grounds). Found materials: fabric with stick texta, letter, branch, 2018, inkjet print, 30cms x 40cms

A Quiet Game of Disobedience

A Quiet Game of Disobedience

Participatory Workshop at the New Student Precinct, Melbourne University, 2018. Organised by Next Wave curator Anita Spooner. Image: Lara Gising.

Storyboard Poetics and Pedagogic Process (2017) with imagery from the Collingwood College Theatre Troupe, Westspace

Storyboard Poetics and Pedagogic Process (2017) with imagery from the Collingwood College Theatre Troupe, Westspace

(left) A Wharfie's Story chalkboard script, 2017. Chalkboard paint, MDF, chalk, screws. (Middle) Education's blood with water viaduct and soft cell stitches, 2017, cardboard tubing, gauze from previous sculpture, backdrop material, plaster, house paint, clear Perspex single filing cabinet, curriculum documentation, rope, cardboard tubing, elastic, pillows, 2050 X 600 X 450mm. (Right) archival installation (2017), photograph, photocopy, print, paint, archival paper. (installation variable) 3.5 x 7.5 x 3.3m. Westspace Gallery. Image: Christo Crocker

Storyboard Poetics and Pedagogic Process (2017) with imagery from the Collingwood College Theatre Troupe, Westspace

Storyboard Poetics and Pedagogic Process (2017) with imagery from the Collingwood College Theatre Troupe, Westspace

(Back Middle) 21stC pedagogic process found-material stage design, 1950's Fruit Boxes,2017, [re-installation instructions: requested seven boxes from Mac Donalds (take those given)], rope, gaffa tape, 'ethics guilt' tubing, glue, newspaper, found palette. Dimensions 1050 x 1100 x 1002 mm.

(Back Left) Swish or Swill,2017. Found tin can, found tin cup, crate, carpet tiling, water and asbestos like talcum powder, 1200 X 900 X 1200 mm.

(Front Middle) My life as a wharfie learnerar, 2017, hessian sack, and twine wadding and newspaper, purchased girl overall dress, found crate, 810 x 800 x 1010 mm.

Storyboard Poetics and Pedagogic Process (2017) with imagery from the Collingwood College Theatre Troupe, Westspace

Storyboard Poetics and Pedagogic Process (2017) with imagery from the Collingwood College Theatre Troupe, Westspace

Wharfie's Story Script, 2017. Chalkboard paint, MDF, chalk, screws. 2.8m x 1.8m x 30mm. Image Chirsto Crocker, 2017.

Storyboard Poetics and Pedagogic Process (2017) with imagery from the Collingwood College Theatre Troupe, Westspace

Storyboard Poetics and Pedagogic Process (2017) with imagery from the Collingwood College Theatre Troupe, Westspace

Kym Maxwell, storyboard iteration 2017, teaching and learning ephemera from a 2015 performance arts curriculum, seven pine stud arches and frames, white corduroy, nails, screws, two wooden stools, archival images gifted from Jim and Tui Beggs, multiple imagery reproduced from photographs by Keelan O'Hehir, Christian Capurro and Kym Maxwell relate to the theatre production A Wharfie’s Story performed by The Collingwood College Theatre Troupe (2015), as well as watercolour drawings and lithograph prints, notebook digital reproductions, charcoal comments, bluetak, gold split pins, sticky tape. All altered documentation, drawings, paintings, prints and sculptures by Kym Maxwell (2016-2017). Dimensions variable, ongoing installation instructions the fabric corduroy wallmust be 730 mm distance from the gallery wall, partly concealed with its height one third lower than the gallery wall..Gallery. For storyboard poetics and pedagogic process, Westspace Gallery. Images Christo Crocker

Informal Learning (2017), George Paton Gallery

Informal Learning (2017), George Paton Gallery

Installation detail, April 2017. Materials: tyre paint, trestle door .and steel table, university upcycled chairs. Photography: Alysha Redston

Informal Learning (2017), George Paton Gallery

Informal Learning (2017), George Paton Gallery

Installation detail, April 2017. Materials: gallery invigilation table, pen, butchers paper, photocopy prints of documentation of Level 2 and 3 of Union House, Melbourne University, chair and information sheet. Photography: Alysha Redston (GPG)

Informal Learning  (2016) promotion image

Informal Learning (2016) promotion image

Kym Maxwell Websearch ‘assessment’, December 9th 2016. Found: http://teche.ltc.mq.edu.au/human-science/new-assessment-policy-effect-session-2/

Learning Labour installation (2017), B. 6 Monash University

Learning Labour installation (2017), B. 6 Monash University

Kym Maxwell. Installation image of Learning Labour (sets and their institutional setting) MFA Grad Show (2017). (Left) Ropes from the North Wharf. (Middle) Floor Sculpture, system (siphon) failure (fault), 2017. Materials: found water drainage pipes from a Monash University upgrade, water bottle, hose and carpet tiles Dimensions Variable.(Wall) PARTICIPANT FUND, 2017. Materials: Paint and Charcoal. Dimensions Variable. Photography: Chrisitan Capurro. 

Learning Labour installation (2017) Sets: A Wharfie's Story, B. 6 Monash University

Learning Labour installation (2017) Sets: A Wharfie's Story, B. 6 Monash University

Kym Maxwell, installation shot Learning Labour, (sets and their institutional setting), MFA Grad Show (2017). Materials variable. Dimensions Variable. Photography: Chrisitan Capurro. 

Learning Labour installation (2017) Sets: A Wharfie's Story, B. 6 Monash University

Learning Labour installation (2017) Sets: A Wharfie's Story, B. 6 Monash University

Kym Maxwell. Installation image of Learning Labour (sets and their institutional setting) MFA Grad Show (2017). Feature wooden vitrine with production ephemera from the theater work, A Wharfie's Story with Collingwood College Theatre Troupe. Photography: Chrisitan Capurro. 

Learning Labour installation (2017) Sets: A Wharfie's Story, B. 6 Monash University

Learning Labour installation (2017) Sets: A Wharfie's Story, B. 6 Monash University

Collingwood College Theatre Troupe and Kym Maxwell. Installation image of Learning Labour (sets and their institutional setting) MFA Grad Show (2017). (Left) Scene 2: The North Wharf; (Middle) Scene 9: 'Jim Beggs Report to Pier 9 immediately'; Scene 5: 'The Waterside Worker's Union'; (Right) Scene 1: Playground Scene. Materials fabric, paint and velcro. Dimensions Variable. Photography: Chrisitan Capurro. 

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Cultural Capital and the Contract (2016) Queen Victoria Market as part of the Biennale Lab

Cultural Capital and the Contract (2016) Queen Victoria Market as part of the Biennale Lab

Cultural Capital and the Contract was presented as part of Melbourne's Inaugural Biennale Lab at Queen Victoria Market as part of the Mechanics' Institute socially-engaged initiative and funded by the City of Melbourne. 

Steiner Verse (2016), for Polyphonic Social, Liquid Architecture at Abbotsford Convent

Steiner Verse (2016), for Polyphonic Social, Liquid Architecture at Abbotsford Convent

Documentation post-performance 'Steiner Verse.' A vocal collaboration with Class 6 pedagogue Tania Rao and artist Kym Maxwell and the students of Sophia Mundi. The chalkboards within the room were produced by the students detailing the traveling of sound within verse. The project partners included Liquid Architecture, Sophia Mundi and Abbotsford Convent: Fellow artists included Lara Thoms, Zoe Scoglio and The Prophets. This project was proudly sponsored by the City of Yarra.

Steiner Verse (2016), for Polyphonic Social, Liquid Architecture at Abbotsford Convent

Steiner Verse (2016), for Polyphonic Social, Liquid Architecture at Abbotsford Convent

Students of Sophia Mundi in preparation to present 'Steiner Verse' a vocal collaboration with Class 6 pedagogue Tania Rao and artist Kym Maxwell. The Polyphonic Social Project was assisted by the City of Yarra. Project Partners were Liquid Architecture and Abbotsford Convent

Young Publics Theatre Troupe (2016) Promotional Flyer

Young Publics Theatre Troupe (2016) Promotional Flyer

These workshops establish the makings of a unique child-centered theatre troupe. The framework for the children's performances explores sonic, video, sculptural and/or movement based production and/or intervention. The process is active and thinking focused emphasising developing an understanding one another as part of the process, for children aged between 8 to 13 years. 

 

Parenting is Political (with Angela Brennan) (2016) Bus Projects

Parenting is Political (with Angela Brennan) (2016) Bus Projects

Exhibition of Chalkboards, website and paintings, Bus Project Feb 3rd to 20th

Installation shot: Kym Maxwell

Parenting is Political website accompanying the Bus Projects Show

Parenting is Political website accompanying the Bus Projects Show

for a link to this website designed by Robert Janes, with text and video contributions by Aurelia Guo, Angela Brennan, Anastasia Klose, Peter Tyndall and Melissa Deerson  please click the link here

location for the production, A Wharfie's Story (2015) Library of the Docks, Buluk Park,North Wharf, Melbourne

location for the production, A Wharfie's Story (2015) Library of the Docks, Buluk Park,North Wharf, Melbourne

Research Buluk Park - site for performance November 21st, 2015

 

Set - Wailing Wall, A Wharfie's Story (2015) Collingwood College

Set - Wailing Wall, A Wharfie's Story (2015) Collingwood College

Produced by the children of the Collingwood College Theatre Troupe, Oct 2015

Presented at North Wharf, The Docks, Docklands - November 2015

 Collingwood College Theatre Troupe with Kym Maxwell, A Wharfie’s Story, 2015, performance Buluk Park, November 21st, 2015. Image: Keelan O’Hehir.

Collingwood College Theatre Troupe with Kym Maxwell, A Wharfie’s Story, 2015, performance Buluk Park, November 21st, 2015. Image: Keelan O’Hehir.

Source Image (2015) Waterside Worker's Union Labour Day 1921, Melbourne

Source Image (2015) Waterside Worker's Union Labour Day 1921, Melbourne

Souce inspiration for A Wharfie's Story

If Transmission Were Material (2015) Mural Hall, Abbotsford Convent

If Transmission Were Material (2015) Mural Hall, Abbotsford Convent

Theatre (2015)

Theatre (2015)

Kym Maxwell, inkjet on Hahnemuhle paper. Dimensions Variable

theatre back turned (2015)

theatre back turned (2015)

Kym Maxwell, inkjet on Huhnemuhle paper. Dimensions variable

Nasa and Moonglow (2014) Screening ACMI, Channels

Nasa and Moonglow (2014) Screening ACMI, Channels

3 mins, HD, B/W video, stereo sound. Presented at Channels Video Art Festival 2015, ACMI. This adaptation fo the film, 'It Girl' of 1928 portrays the roles women played pre-code cinema. The cut-up and re-edit questions the gender values of this time as demonstrated in the acting of Clara Bow. The It girl actress that suffered great criticism for her gregarious ways, although controversally it was freely utilised for cinematic effect.

 

Literacy intervention (2014): Re-Raising Conciousness, TCB Art Inc

Literacy intervention (2014): Re-Raising Conciousness, TCB Art Inc

Liberty of Imagination: Duelling Spheres (Goodwill Object Research) (2014)

Liberty of Imagination: Duelling Spheres (Goodwill Object Research) (2014)

Hatch Contemporary Art Space Artist in Residence Nov/Dec 2014

'Liberty of the Screen' (2014) Malahang Reserve, Heidelberg West

'Liberty of the Screen' (2014) Malahang Reserve, Heidelberg West

Funded by the Pinpoint Ephemeral Arts Event Program sponsored by the Banyule City Council. Presented on November 23rd with a team of 10 volunteers this public intervention posed the value of screening out and screening in observation of one's behaviour in public. Does safety improve through observation or does it hinder expression and risk?

Uneducated website (2014), Counihan Gallery

Uneducated website (2014), Counihan Gallery

Multi-application website with documentation, videos, texts and online curatorial adaptive archive - designed by James Oates and U-P website deisngers collective (2014) - link here Uneducated.co

Uneducated (2014) Group Show curated by Kym Maxwell, Counihan Gallery

Uneducated (2014) Group Show curated by Kym Maxwell, Counihan Gallery

http://uneducated.co

'Objects are Associative' (2014), Counihan Gallery

'Objects are Associative' (2014), Counihan Gallery

http://uneducated.co

Uneducated Curation Project (2014) with the children of Collingwood College and Emily Floyd, Counihan Gallery

Uneducated Curation Project (2014) with the children of Collingwood College and Emily Floyd, Counihan Gallery

Children in the process of collaborating towards the re-hang of Uneducated September 18th, Counihan Gallery (dates: September 5th - October 5th, 2014)

This Is Not The Work: Field 1968 (2014)

This Is Not The Work: Field 1968 (2014)

Installation Field 1968, QUT Creative Industries Precinct (September 2014). Curated by LEVEL

This Is Not The Work (2014) Group Show curated by LEVEL, QUT Creative Industries Precinct

This Is Not The Work (2014) Group Show curated by LEVEL, QUT Creative Industries Precinct

Installation Uneducated, QUT Creative Industries Precinct (September 2014). Curated by LEVEL

Field 1968 (2014)

Field 1968 (2014)

High Definition 3 channel video art work.Length: 33:11mins Year:2014

Performers: Nikita, Gem, Noah, Caitlin,Thenuga, Horatio, Pascal, Prairie, Eden, Noah, Patrick and India

Appearances by Holly Childs, Sean Peoples and Dan Bell.

Camera: Rachel Freery, Ali Sanderson, Bonnie Moir and Kym Maxwell

Director: Kym Maxwell

Progress shot Field 1968 (2014)

Progress shot Field 1968 (2014)

Image Kym Maxwell

with my eye I select, with my hand I speak (2014)

with my eye I select, with my hand I speak (2014)

Kym Maxwell, inkjet on Huhnemuhle Paper

Location scouting Green Paw (2013)

Location scouting Green Paw (2013)

Location Darebin Creek, August 2013.

Location scouting for Green Paw and Field 1968 (2013)

Location scouting for Green Paw and Field 1968 (2013)

State of Being: Concrete, Mannequin, Readymade (2014)

State of Being: Concrete, Mannequin, Readymade (2014)

Industrial Estate group show (2014) Site: Woodcraft Mobiliar Factory

Model, Shape, Manipulate (2013)

Model, Shape, Manipulate (2013)

injet print on Hahnemuhle paper, dimensions variable

Detail: Industrial Estate newsprint publication (2014)

Detail: Industrial Estate newsprint publication (2014)

Industrial Estate newsprint publication, pages 8 and 9; works by Helen Grogam 'ACTION and FRAME' and Dan Bell 'Threshold' — pictured with two Risograph printed inserts.

GOODWILL: Memoirs of Yard Play (2013)

GOODWILL: Memoirs of Yard Play (2013)

Discussion (2013)

Discussion (2013)

1/2 prints. Inject print with packaging tape, 36 x 60 cms on Huhnehuhle paper

The GOODWILL participatory Project documentation (2013)

The GOODWILL participatory Project documentation (2013)

students use of the model

GOODWILL: Memoirs of Yard Play Publication (2013)

GOODWILL: Memoirs of Yard Play Publication (2013)

42 pg colour publication. Edition 100. Produced by Kym Maxwell. Design Ross Paxman

GOODWILL: Memoirs of Yard Play Publication (2013)

GOODWILL: Memoirs of Yard Play Publication (2013)

The trouble with Intention (2013)

The trouble with Intention (2013)

Kym Maxwell with student performers from Dandenong Primary School, Objects of Longing (2018-2019), Shapes of Knowledge, MUMA, 2019

Objects of Longing has been generously supported from Gandel Philanthropy and Creative Learning Partnerships, Creative Victoria – A Victorian Government Initiative and Dandenong Primary School.

Large format publication dedicated to the theatrework A Wharfies Story

Publication A Wharfie’s Story- play, protest, consequence: Kym Maxwell and the Collingwood College Theatre Troupe, 2019. A 320 page self-published book with Ingram Press. Designed by Paul Mylecharane and Beaziyt Worou with text contributions by Lisa Radford, Rosemary Forde, Jim Beggs and myself: publication images by Keelan O’Hehir, Christian Capurro and Christos Crocker. Available Perimeter Book, MCA Store and Amazon Distribution

Objects of Longing (2018-2019) (install shot), Shapes of Knowledge, MUMA, 2019

Image: Christian Capurro

Objects of Longing (2018-2019) (Install shot), Shapes of Knowledge, MUMA, 2019

Image: Christian Capurro

The Objects of Longing Project in Six Part (culturally speculating about a work of art as a social context, considerations by way of Stephen Willats), 2019, Shapes of Knowledge, MUMA

Image: Christian Capurro

Raven, student costume for Objects Are A Limbic System Embrace Their Logic, 2018-2019, Shapes of Knowledge, MUMA 2019

Image: Christian Capurro

Objects Are a Limbic System Embrace Their Logic (2018-2019), Monash University Museum of Art Forecourt

Performed and co-created with the students and staff of Dandenong Primary School

Act 3: Science Lab ( The teacher takes the knife)

Image : Keelan O’Hehir

Gallery Project Team Objects of Longing (2018-2019), MUMA

With student cast and staff of Dandenong Primary School. Image: Keelan O’Hehir

Objects are a Limbic System Embrace Their Logic

To be presented at Dandenong Primary School, December 6th, at 5:30pm, 2019. This is a public event.

Kym Maxwell, Objects of Longing Project research phase, with Dandenong Primary School (August), 2018. Photography Keelan O’Hehir.

Kym Maxwell, Objects of Longing Project research phase, with Dandenong Primary School (August), 2018. Photography Keelan O’Hehir.

Kym Maxwell, Objects of Longing Project research phase, with Dandenong Primary School (August), 2018. Photography Keelan O’Hehir.

Kym Maxwell, Objects of Longing Project research process, Museum of Anticipation tent with Dandenong Primary School (July), 2018. Photography Keelan O’Hehir

'Collaborative Teacher', Objects of Longing Project, sets, props, costumes phase, with Dandenong Primary School (October) 2018

Kym Maxwell, Objects of Longing Project, Museum Collections phase, MUMA Art Collection, with Dandenong Primary School (July), 2018.

Image: Kym Maxwell, includes image of Destiny Deacon and Virigina Fraser, Forced into Images (1995), MUMA Art Collection

The Cap, Sword, Note and Teacher's TEXTA

Kym Maxwell, The Cap, Sword, Note and Teacher's TEXTA, (Site BNWPS and WPS various locations internal school grounds). Found materials: fabric with stick texta, letter, branch, 2018, inkjet print, 30cms x 40cms

A Quiet Game of Disobedience

Participatory Workshop at the New Student Precinct, Melbourne University, 2018. Organised by Next Wave curator Anita Spooner. Image: Lara Gising.

Storyboard Poetics and Pedagogic Process (2017) with imagery from the Collingwood College Theatre Troupe, Westspace

(left) A Wharfie's Story chalkboard script, 2017. Chalkboard paint, MDF, chalk, screws. (Middle) Education's blood with water viaduct and soft cell stitches, 2017, cardboard tubing, gauze from previous sculpture, backdrop material, plaster, house paint, clear Perspex single filing cabinet, curriculum documentation, rope, cardboard tubing, elastic, pillows, 2050 X 600 X 450mm. (Right) archival installation (2017), photograph, photocopy, print, paint, archival paper. (installation variable) 3.5 x 7.5 x 3.3m. Westspace Gallery. Image: Christo Crocker

Storyboard Poetics and Pedagogic Process (2017) with imagery from the Collingwood College Theatre Troupe, Westspace

(Back Middle) 21stC pedagogic process found-material stage design, 1950's Fruit Boxes,2017, [re-installation instructions: requested seven boxes from Mac Donalds (take those given)], rope, gaffa tape, 'ethics guilt' tubing, glue, newspaper, found palette. Dimensions 1050 x 1100 x 1002 mm.

(Back Left) Swish or Swill,2017. Found tin can, found tin cup, crate, carpet tiling, water and asbestos like talcum powder, 1200 X 900 X 1200 mm.

(Front Middle) My life as a wharfie learnerar, 2017, hessian sack, and twine wadding and newspaper, purchased girl overall dress, found crate, 810 x 800 x 1010 mm.

Storyboard Poetics and Pedagogic Process (2017) with imagery from the Collingwood College Theatre Troupe, Westspace

Wharfie's Story Script, 2017. Chalkboard paint, MDF, chalk, screws. 2.8m x 1.8m x 30mm. Image Chirsto Crocker, 2017.

Storyboard Poetics and Pedagogic Process (2017) with imagery from the Collingwood College Theatre Troupe, Westspace

Kym Maxwell, storyboard iteration 2017, teaching and learning ephemera from a 2015 performance arts curriculum, seven pine stud arches and frames, white corduroy, nails, screws, two wooden stools, archival images gifted from Jim and Tui Beggs, multiple imagery reproduced from photographs by Keelan O'Hehir, Christian Capurro and Kym Maxwell relate to the theatre production A Wharfie’s Story performed by The Collingwood College Theatre Troupe (2015), as well as watercolour drawings and lithograph prints, notebook digital reproductions, charcoal comments, bluetak, gold split pins, sticky tape. All altered documentation, drawings, paintings, prints and sculptures by Kym Maxwell (2016-2017). Dimensions variable, ongoing installation instructions the fabric corduroy wallmust be 730 mm distance from the gallery wall, partly concealed with its height one third lower than the gallery wall..Gallery. For storyboard poetics and pedagogic process, Westspace Gallery. Images Christo Crocker

Informal Learning (2017), George Paton Gallery

Installation detail, April 2017. Materials: tyre paint, trestle door .and steel table, university upcycled chairs. Photography: Alysha Redston

Informal Learning (2017), George Paton Gallery

Installation detail, April 2017. Materials: gallery invigilation table, pen, butchers paper, photocopy prints of documentation of Level 2 and 3 of Union House, Melbourne University, chair and information sheet. Photography: Alysha Redston (GPG)

Informal Learning (2016) promotion image

Kym Maxwell Websearch ‘assessment’, December 9th 2016. Found: http://teche.ltc.mq.edu.au/human-science/new-assessment-policy-effect-session-2/

Learning Labour installation (2017), B. 6 Monash University

Kym Maxwell. Installation image of Learning Labour (sets and their institutional setting) MFA Grad Show (2017). (Left) Ropes from the North Wharf. (Middle) Floor Sculpture, system (siphon) failure (fault), 2017. Materials: found water drainage pipes from a Monash University upgrade, water bottle, hose and carpet tiles Dimensions Variable.(Wall) PARTICIPANT FUND, 2017. Materials: Paint and Charcoal. Dimensions Variable. Photography: Chrisitan Capurro. 

Learning Labour installation (2017) Sets: A Wharfie's Story, B. 6 Monash University

Kym Maxwell, installation shot Learning Labour, (sets and their institutional setting), MFA Grad Show (2017). Materials variable. Dimensions Variable. Photography: Chrisitan Capurro. 

Learning Labour installation (2017) Sets: A Wharfie's Story, B. 6 Monash University

Kym Maxwell. Installation image of Learning Labour (sets and their institutional setting) MFA Grad Show (2017). Feature wooden vitrine with production ephemera from the theater work, A Wharfie's Story with Collingwood College Theatre Troupe. Photography: Chrisitan Capurro. 

Learning Labour installation (2017) Sets: A Wharfie's Story, B. 6 Monash University

Collingwood College Theatre Troupe and Kym Maxwell. Installation image of Learning Labour (sets and their institutional setting) MFA Grad Show (2017). (Left) Scene 2: The North Wharf; (Middle) Scene 9: 'Jim Beggs Report to Pier 9 immediately'; Scene 5: 'The Waterside Worker's Union'; (Right) Scene 1: Playground Scene. Materials fabric, paint and velcro. Dimensions Variable. Photography: Chrisitan Capurro. 

Cultural Capital and the Contract (2016) Queen Victoria Market as part of the Biennale Lab

Cultural Capital and the Contract was presented as part of Melbourne's Inaugural Biennale Lab at Queen Victoria Market as part of the Mechanics' Institute socially-engaged initiative and funded by the City of Melbourne. 

Steiner Verse (2016), for Polyphonic Social, Liquid Architecture at Abbotsford Convent

Documentation post-performance 'Steiner Verse.' A vocal collaboration with Class 6 pedagogue Tania Rao and artist Kym Maxwell and the students of Sophia Mundi. The chalkboards within the room were produced by the students detailing the traveling of sound within verse. The project partners included Liquid Architecture, Sophia Mundi and Abbotsford Convent: Fellow artists included Lara Thoms, Zoe Scoglio and The Prophets. This project was proudly sponsored by the City of Yarra.

Steiner Verse (2016), for Polyphonic Social, Liquid Architecture at Abbotsford Convent

Students of Sophia Mundi in preparation to present 'Steiner Verse' a vocal collaboration with Class 6 pedagogue Tania Rao and artist Kym Maxwell. The Polyphonic Social Project was assisted by the City of Yarra. Project Partners were Liquid Architecture and Abbotsford Convent

Young Publics Theatre Troupe (2016) Promotional Flyer

These workshops establish the makings of a unique child-centered theatre troupe. The framework for the children's performances explores sonic, video, sculptural and/or movement based production and/or intervention. The process is active and thinking focused emphasising developing an understanding one another as part of the process, for children aged between 8 to 13 years. 

 

Parenting is Political (with Angela Brennan) (2016) Bus Projects

Exhibition of Chalkboards, website and paintings, Bus Project Feb 3rd to 20th

Installation shot: Kym Maxwell

Parenting is Political website accompanying the Bus Projects Show

for a link to this website designed by Robert Janes, with text and video contributions by Aurelia Guo, Angela Brennan, Anastasia Klose, Peter Tyndall and Melissa Deerson  please click the link here

location for the production, A Wharfie's Story (2015) Library of the Docks, Buluk Park,North Wharf, Melbourne

Research Buluk Park - site for performance November 21st, 2015

 

Set - Wailing Wall, A Wharfie's Story (2015) Collingwood College

Produced by the children of the Collingwood College Theatre Troupe, Oct 2015

Presented at North Wharf, The Docks, Docklands - November 2015

Collingwood College Theatre Troupe with Kym Maxwell, A Wharfie’s Story, 2015, performance Buluk Park, November 21st, 2015. Image: Keelan O’Hehir.

Source Image (2015) Waterside Worker's Union Labour Day 1921, Melbourne

Souce inspiration for A Wharfie's Story

If Transmission Were Material (2015) Mural Hall, Abbotsford Convent

Theatre (2015)

Kym Maxwell, inkjet on Hahnemuhle paper. Dimensions Variable

theatre back turned (2015)

Kym Maxwell, inkjet on Huhnemuhle paper. Dimensions variable

Nasa and Moonglow (2014) Screening ACMI, Channels

3 mins, HD, B/W video, stereo sound. Presented at Channels Video Art Festival 2015, ACMI. This adaptation fo the film, 'It Girl' of 1928 portrays the roles women played pre-code cinema. The cut-up and re-edit questions the gender values of this time as demonstrated in the acting of Clara Bow. The It girl actress that suffered great criticism for her gregarious ways, although controversally it was freely utilised for cinematic effect.

 

Literacy intervention (2014): Re-Raising Conciousness, TCB Art Inc

Liberty of Imagination: Duelling Spheres (Goodwill Object Research) (2014)

Hatch Contemporary Art Space Artist in Residence Nov/Dec 2014

'Liberty of the Screen' (2014) Malahang Reserve, Heidelberg West

Funded by the Pinpoint Ephemeral Arts Event Program sponsored by the Banyule City Council. Presented on November 23rd with a team of 10 volunteers this public intervention posed the value of screening out and screening in observation of one's behaviour in public. Does safety improve through observation or does it hinder expression and risk?

Uneducated website (2014), Counihan Gallery

Multi-application website with documentation, videos, texts and online curatorial adaptive archive - designed by James Oates and U-P website deisngers collective (2014) - link here Uneducated.co

Uneducated (2014) Group Show curated by Kym Maxwell, Counihan Gallery

http://uneducated.co

'Objects are Associative' (2014), Counihan Gallery

http://uneducated.co

Uneducated Curation Project (2014) with the children of Collingwood College and Emily Floyd, Counihan Gallery

Children in the process of collaborating towards the re-hang of Uneducated September 18th, Counihan Gallery (dates: September 5th - October 5th, 2014)

This Is Not The Work: Field 1968 (2014)

Installation Field 1968, QUT Creative Industries Precinct (September 2014). Curated by LEVEL

This Is Not The Work (2014) Group Show curated by LEVEL, QUT Creative Industries Precinct

Installation Uneducated, QUT Creative Industries Precinct (September 2014). Curated by LEVEL

Field 1968 (2014)

High Definition 3 channel video art work.Length: 33:11mins Year:2014

Performers: Nikita, Gem, Noah, Caitlin,Thenuga, Horatio, Pascal, Prairie, Eden, Noah, Patrick and India

Appearances by Holly Childs, Sean Peoples and Dan Bell.

Camera: Rachel Freery, Ali Sanderson, Bonnie Moir and Kym Maxwell

Director: Kym Maxwell

Progress shot Field 1968 (2014)

Image Kym Maxwell

with my eye I select, with my hand I speak (2014)

Kym Maxwell, inkjet on Huhnemuhle Paper

Location scouting Green Paw (2013)

Location Darebin Creek, August 2013.

Location scouting for Green Paw and Field 1968 (2013)

State of Being: Concrete, Mannequin, Readymade (2014)

Industrial Estate group show (2014) Site: Woodcraft Mobiliar Factory

Model, Shape, Manipulate (2013)

injet print on Hahnemuhle paper, dimensions variable

Detail: Industrial Estate newsprint publication (2014)

Industrial Estate newsprint publication, pages 8 and 9; works by Helen Grogam 'ACTION and FRAME' and Dan Bell 'Threshold' — pictured with two Risograph printed inserts.

GOODWILL: Memoirs of Yard Play (2013)

Discussion (2013)

1/2 prints. Inject print with packaging tape, 36 x 60 cms on Huhnehuhle paper

The GOODWILL participatory Project documentation (2013)

students use of the model

GOODWILL: Memoirs of Yard Play Publication (2013)

42 pg colour publication. Edition 100. Produced by Kym Maxwell. Design Ross Paxman

GOODWILL: Memoirs of Yard Play Publication (2013)

The trouble with Intention (2013)

Kym Maxwell with student performers from Dandenong Primary School, Objects of Longing (2018-2019), Shapes of Knowledge, MUMA, 2019
19-5_Maxwell-McCann_9.jpg
19-5_Maxwell-McCann_3.jpg
Large format publication dedicated to the theatrework A Wharfies Story
Objects of Longing (2018-2019) (install shot), Shapes of Knowledge, MUMA, 2019
Objects of Longing (2018-2019) (Install shot), Shapes of Knowledge, MUMA, 2019
The Objects of Longing Project in Six Part (culturally speculating about a work of art as a social context, considerations by way of Stephen Willats), 2019, Shapes of Knowledge, MUMA
Raven, student costume for Objects Are A Limbic System Embrace Their Logic, 2018-2019, Shapes of Knowledge, MUMA 2019
Objects Are a Limbic System Embrace Their Logic (2018-2019), Monash University Museum of Art Forecourt
Gallery Project Team Objects of Longing (2018-2019), MUMA
Objects are a Limbic System Embrace Their Logic
 Kym Maxwell, Objects of Longing Project  research phase,  with Dandenong Primary School (August), 2018. Photography Keelan O’Hehir.
 Kym Maxwell, Objects of Longing Project  research phase,  with Dandenong Primary School (August), 2018. Photography Keelan O’Hehir.
 Kym Maxwell, Objects of Longing Project  research phase,  with Dandenong Primary School (August), 2018. Photography Keelan O’Hehir.
 Kym Maxwell, Objects of Longing Project  research process, Museum of Anticipation tent  with Dandenong Primary School (July), 2018. Photography Keelan O’Hehir
'Collaborative Teacher', Objects of Longing Project, sets, props, costumes phase, with Dandenong Primary School (October) 2018
Kym Maxwell, Objects of Longing Project, Museum Collections phase, MUMA Art Collection, with Dandenong Primary School (July), 2018.
The Cap, Sword, Note and Teacher's TEXTA
A Quiet Game of Disobedience
Storyboard Poetics and Pedagogic Process (2017) with imagery from the Collingwood College Theatre Troupe, Westspace
Storyboard Poetics and Pedagogic Process (2017) with imagery from the Collingwood College Theatre Troupe, Westspace
Storyboard Poetics and Pedagogic Process (2017) with imagery from the Collingwood College Theatre Troupe, Westspace
Storyboard Poetics and Pedagogic Process (2017) with imagery from the Collingwood College Theatre Troupe, Westspace
Informal Learning (2017), George Paton Gallery
Informal Learning (2017), George Paton Gallery
Informal Learning  (2016) promotion image
Learning Labour installation (2017), B. 6 Monash University
Learning Labour installation (2017) Sets: A Wharfie's Story, B. 6 Monash University
Learning Labour installation (2017) Sets: A Wharfie's Story, B. 6 Monash University
Learning Labour installation (2017) Sets: A Wharfie's Story, B. 6 Monash University
16-9_Maxwell_13a.jpg
Cultural Capital and the Contract (2016) Queen Victoria Market as part of the Biennale Lab
Steiner Verse (2016), for Polyphonic Social, Liquid Architecture at Abbotsford Convent
Steiner Verse (2016), for Polyphonic Social, Liquid Architecture at Abbotsford Convent
Young Publics Theatre Troupe (2016) Promotional Flyer
Parenting is Political (with Angela Brennan) (2016) Bus Projects
Parenting is Political website accompanying the Bus Projects Show
location for the production, A Wharfie's Story (2015) Library of the Docks, Buluk Park,North Wharf, Melbourne
Set - Wailing Wall, A Wharfie's Story (2015) Collingwood College
 Collingwood College Theatre Troupe with Kym Maxwell, A Wharfie’s Story, 2015, performance Buluk Park, November 21st, 2015. Image: Keelan O’Hehir.
Source Image (2015) Waterside Worker's Union Labour Day 1921, Melbourne
If Transmission Were Material (2015) Mural Hall, Abbotsford Convent
Theatre (2015)
theatre back turned (2015)
Nasa and Moonglow (2014) Screening ACMI, Channels
Literacy intervention (2014): Re-Raising Conciousness, TCB Art Inc
Liberty of Imagination: Duelling Spheres (Goodwill Object Research) (2014)
'Liberty of the Screen' (2014) Malahang Reserve, Heidelberg West
Uneducated website (2014), Counihan Gallery
Uneducated (2014) Group Show curated by Kym Maxwell, Counihan Gallery
'Objects are Associative' (2014), Counihan Gallery
Uneducated Curation Project (2014) with the children of Collingwood College and Emily Floyd, Counihan Gallery
This Is Not The Work: Field 1968 (2014)
This Is Not The Work (2014) Group Show curated by LEVEL, QUT Creative Industries Precinct
Field 1968 (2014)
Progress shot Field 1968 (2014)
with my eye I select, with my hand I speak (2014)
Location scouting Green Paw (2013)
Location scouting for Green Paw and Field 1968 (2013)
State of Being: Concrete, Mannequin, Readymade (2014)
Model, Shape, Manipulate (2013)
Detail: Industrial Estate newsprint publication (2014)
GOODWILL: Memoirs of Yard Play (2013)
Discussion (2013)
The GOODWILL participatory Project documentation (2013)
GOODWILL: Memoirs of Yard Play Publication (2013)
GOODWILL: Memoirs of Yard Play Publication (2013)
The trouble with Intention (2013)