
Kym Maxwell, Objects of Longing Project research phase, with Dandenong Primary School (August), 2018. Photography Keelan O’Hehir.

Objects are a Limbic System Embrace Their Logic
To be presented at Dandenong Primary School, December 6th, at 5:30pm, 2019. This is a public event.

Kym Maxwell, Objects of Longing Project research phase, with Dandenong Primary School (August), 2018. Photography Keelan O’Hehir.

Kym Maxwell, Objects of Longing Project research phase, with Dandenong Primary School (August), 2018. Photography Keelan O’Hehir.

Kym Maxwell, Objects of Longing Project research phase, with Dandenong Primary School (August), 2018. Photography Keelan O’Hehir.

Kym Maxwell, Objects of Longing Project research process, with Dandenong Primary School (August), 2018. Photography Keelan O’Hehir.

Kym Maxwell, Objects of Longing Project research processwith Dandenong Primary School (August), 2018. Photography Keelan O’Hehir.

Kym Maxwell, Objects of Longing Project research process, Museum of Anticipation tent with Dandenong Primary School (July), 2018. Photography Keelan O’Hehir

'Collaborative Teacher', Objects of Longing Project, sets, props, costumes phase, with Dandenong Primary School (October) 2018

Kym Maxwell, Objects of Longing Project, Museum Collections phase, MUMA Art Collection, with Dandenong Primary School (July), 2018.
Image: Kym Maxwell, includes image of Destiny Deacon and Virigina Fraser, Forced into Images (1995), MUMA Art Collection

The Cap, Sword, Note and Teacher's TEXTA
Kym Maxwell, The Cap, Sword, Note and Teacher's TEXTA, (Site BNWPS and WPS various locations internal school grounds). Found materials: fabric with stick texta, letter, branch, 2018, inkjet print, 30cms x 40cms
A Quiet Game of Disobedience
Participatory Workshop at the New Student Precinct, Melbourne University, 2018. Organised by Next Wave curator Anita Spooner. Image: Lara Gising.
A Quiet Game of Disobedience
Participatory Workshop at the New Student Precinct, Melbourne University, 2018. Organised by Next Wave curator Anita Spooner. Image: Lara Gising.
A Quiet Game of Disobedience
Participatory Workshop at the New Student Precinct, Melbourne University, 2018. Organised by Next Wave curator Anita Spooner. Iamge: Lara Gising

Storyboard Poetics and Pedagogic Process (2017) with imagery from the Collingwood College Theatre Troupe, Westspace
(left) A Wharfie's Story chalkboard script, 2017. Chalkboard paint, MDF, chalk, screws. (Middle) Education's blood with water viaduct and soft cell stitches, 2017, cardboard tubing, gauze from previous sculpture, backdrop material, plaster, house paint, clear Perspex single filing cabinet, curriculum documentation, rope, cardboard tubing, elastic, pillows, 2050 X 600 X 450mm. (Right) archival installation (2017), photograph, photocopy, print, paint, archival paper. (installation variable) 3.5 x 7.5 x 3.3m. Westspace Gallery. Image: Christo Crocker

Storyboard Poetics and Pedagogic Process (2017) with imagery from the Collingwood College Theatre Troupe, Westspace
Wharfie's Story Script, 2017. Chalkboard paint, MDF, chalk, screws. 2.8m x 1.8m x 30mm. Image Chirsto Crocker, 2017.

Storyboard Poetics and Pedagogic Process (2017) with imagery from the Collingwood College Theatre Troupe, Westspace
(Back Middle) 21stC pedagogic process found-material stage design, 1950's Fruit Boxes,2017, [re-installation instructions: requested seven boxes from Mac Donalds (take those given)], rope, gaffa tape, 'ethics guilt' tubing, glue, newspaper, found palette. Dimensions 1050 x 1100 x 1002 mm.
(Back Left) Swish or Swill,2017. Found tin can, found tin cup, crate, carpet tiling, water and asbestos like talcum powder, 1200 X 900 X 1200 mm.
(Front Middle) My life as a wharfie learnerar, 2017, hessian sack, and twine wadding and newspaper, purchased girl overall dress, found crate, 810 x 800 x 1010 mm.

Storyboard Poetics and Pedagogic Process (2017) with imagery from the Collingwood College Theatre Troupe, Westspace
Kym Maxwell, storyboard iteration 2017, teaching and learning ephemera from a 2015 performance arts curriculum, seven pine stud arches and frames, white corduroy, nails, screws, two wooden stools, archival images gifted from Jim and Tui Beggs, multiple imagery reproduced from photographs by Keelan O'Hehir, Christian Capurro and Kym Maxwell relate to the theatre production A Wharfie’s Story performed by The Collingwood College Theatre Troupe (2015), as well as watercolour drawings and lithograph prints, notebook digital reproductions, charcoal comments, bluetak, gold split pins, sticky tape. All altered documentation, drawings, paintings, prints and sculptures by Kym Maxwell (2016-2017). Dimensions variable, ongoing installation instructions the fabric corduroy wallmust be 730 mm distance from the gallery wall, partly concealed with its height one third lower than the gallery wall..Gallery. For storyboard poetics and pedagogic process, Westspace Gallery. Images Christo Crocker
Informal Learning (2017), George Paton Gallery
Installation detail, April 2017. Materials: tyre paint, trestle door .and steel table, university upcycled chairs. Photography: Alysha Redston
Informal Learning (2017), George Paton Gallery
Installation detail. Materials: Tyre paint, up-cycled university chair, vinyl lettering. Photography: Alysha Redston (GPG)
Informal Learning (2017), George Paton Gallery
Installation detail, April 2017. Materials: gallery invigilation table, pen, butchers paper, photocopy prints of documentation of Level 2 and 3 of Union House, Melbourne University, chair and information sheet. Photography: Alysha Redston (GPG)

Informal Learning (2016) promotion image
Kym Maxwell Websearch ‘assessment’, December 9th 2016. Found: http://teche.ltc.mq.edu.au/human-science/new-assessment-policy-effect-session-2/

Learning Labour installation (2017), B. 6 Monash University
Kym Maxwell. Installation image of Learning Labour (sets and their institutional setting) MFA Grad Show (2017). (Left) Ropes from the North Wharf. (Middle) Floor Sculpture, system (siphon) failure (fault), 2017. Materials: found water drainage pipes from a Monash University upgrade, water bottle, hose and carpet tiles Dimensions Variable.(Wall) PARTICIPANT FUND, 2017. Materials: Paint and Charcoal. Dimensions Variable. Photography: Chrisitan Capurro.

Learning Labour installation (2017) Sets: A Wharfie's Story, B. 6 Monash University
Collingwood College Theatre Troupe and Kym Maxwell. Installation image of Learning Labour (sets and their institutional setting) MFA Grad Show (2017). (Left) Scene 2: The North Wharf; (Middle) Scene 9: 'Jim Beggs Report to Pier 9 immediately'; Scene 5: 'The Waterside Worker's Union'; (Right) Scene 1: Playground Scene. Materials fabric, paint and velcro. Dimensions Variable. Photography: Chrisitan Capurro.

Learning Labour installation (2017) Sets: A Wharfie's Story, B. 6 Monash University
Kym Maxwell. Installation image of Learning Labour (sets and their institutional setting) MFA Grad Show (2017). Feature wooden vitrine with production ephemera from the theater work, A Wharfie's Story with Collingwood College Theatre Troupe. Photography: Chrisitan Capurro.

Learning Labour installation (2017) Sets: A Wharfie's Story, B. 6 Monash University
Kym Maxwell, installation shot Learning Labour, (sets and their institutional setting), MFA Grad Show (2017). Materials variable. Dimensions Variable. Photography: Chrisitan Capurro.




Cultural Capital and the Contract (2016) Queen Victoria Market as part of the Biennale Lab
Cultural Capital and the Contract was presented as part of Melbourne's Inaugural Biennale Lab at Queen Victoria Market as part of the Mechanics' Institute socially-engaged initiative and funded by the City of Melbourne.

Steiner Verse (2016), for Polyphonic Social, Liquid Architecture at Abbotsford Convent
Documentation post-performance 'Steiner Verse.' A vocal collaboration with Class 6 pedagogue Tania Rao and artist Kym Maxwell and the students of Sophia Mundi. The chalkboards within the room were produced by the students detailing the traveling of sound within verse. The project partners included Liquid Architecture, Sophia Mundi and Abbotsford Convent: Fellow artists included Lara Thoms, Zoe Scoglio and The Prophets. This project was proudly sponsored by the City of Yarra.

Steiner Verse (2016), for Polyphonic Social, Liquid Architecture at Abbotsford Convent
Students of Sophia Mundi in preparation to present 'Steiner Verse' a vocal collaboration with Class 6 pedagogue Tania Rao and artist Kym Maxwell. The Polyphonic Social Project was assisted by the City of Yarra. Project Partners were Liquid Architecture and Abbotsford Convent

Steiner Verse (2016), for Polyphonic Social, Liquid Architecture at Abbotsford Convent
Students of Sophia Mundi are presenting an original composition by Jasper, the 'Beating of the Drum' - a three string ensemble, for Steiner Verse, with Pedagogue Tania and artist Kym Maxwell. Project partners Liquid Architecture and Abbotsford Convent
Young Publics Theatre Troupe (2016) Promotional Flyer
These workshops establish the makings of a unique child-centered theatre troupe. The framework for the children's performances explores sonic, video, sculptural and/or movement based production and/or intervention. The process is active and thinking focused emphasising developing an understanding one another as part of the process, for children aged between 8 to 13 years.
Parenting is Political (with Angela Brennan) (2016) Bus Projects
Exhibition of Chalkboards, website and paintings, Bus Project Feb 3rd to 20th
Installation shot: Kym Maxwell

Parenting is Political website accompanying the Bus Projects Show
for a link to this website designed by Robert Janes, with text and video contributions by Aurelia Guo, Angela Brennan, Anastasia Klose, Peter Tyndall and Melissa Deerson please click the link here

Parenting is Political (2016) exhibition and website launch
http://www.parentingispolitical.com
Bus Projects
31 Rokeby St, Collingwood
February 3rd to 20th, 2016
image source: Hippie Family, google
location for the production, A Wharfie's Story (2015) Library of the Docks, Buluk Park,North Wharf, Melbourne
Research Buluk Park - site for performance November 21st, 2015

Set - Wailing Wall, A Wharfie's Story (2015) Collingwood College
Produced by the children of the Collingwood College Theatre Troupe, Oct 2015
Presented at North Wharf, The Docks, Docklands - November 2015

Source Image (2015) Waterside Worker's Union Labour Day 1921, Melbourne
Souce inspiration for A Wharfie's Story
If Transmission Were Material (2015) Mural Hall, Abbotsford Convent
Site-specific installation: Mural Hall, Abbotsford Convent, September 9th - 20th, 2015. Five TV monitors, 1 Flatscreen TV, five mannequins, clothing, five steel tables, 1 acrow prop and six single channel videos (on DVD and USB) colour and sound (lengths 16mins to 22 mins). Photography Patrick Rodigeuz
If Transmission Were Material (2015), Mural Hall, Abbotsford Convent
installation view: Flatscreen TV. 16 minute video loop. USB. 'Audience' as part of a 6 screen site specific installation, 'If Transmission Were Material' Mural Hall, Abbotsford Convent, 2015

If Transmission Were Material (2015) Mural Hall, Abbotsford Convent

Collingwood College Theatre Troupe with Kym Maxwell, A Wharfie’s Story, 2015, performance Buluk Park, November 21st, 2015. Image: Keelan O’Hehir.
Theatre (2015)
Kym Maxwell, inkjet on Hahnemuhle paper. Dimensions Variable
theatre back turned (2015)
Kym Maxwell, inkjet on Huhnemuhle paper. Dimensions variable

Nasa and Moonglow (2014) Screening ACMI, Channels
3 mins, HD, B/W video, stereo sound. Presented at Channels Video Art Festival 2015, ACMI. This adaptation fo the film, 'It Girl' of 1928 portrays the roles women played pre-code cinema. The cut-up and re-edit questions the gender values of this time as demonstrated in the acting of Clara Bow. The It girl actress that suffered great criticism for her gregarious ways, although controversally it was freely utilised for cinematic effect.
Literacy intervention (2014): Re-Raising Conciousness, TCB Art Inc
Liberty of Imagination: Duelling Spheres (Goodwill Object Research) (2014)
Hatch Contemporary Art Space Artist in Residence Nov/Dec 2014
'Liberty of the Screen' (2014) Malahang Reserve, Heidelberg West
Funded by the Pinpoint Ephemeral Arts Event Program sponsored by the Banyule City Council. Presented on November 23rd with a team of 10 volunteers this public intervention posed the value of screening out and screening in observation of one's behaviour in public. Does safety improve through observation or does it hinder expression and risk?

Uneducated (2014) Group Show curated by Kym Maxwell, Counihan Gallery

'Objects are Associative' (2014), Counihan Gallery

Uneducated Curation Project (2014) with the children of Collingwood College and Emily Floyd, Counihan Gallery
Children in the process of collaborating towards the re-hang of Uneducated September 18th, Counihan Gallery (dates: September 5th - October 5th, 2014)

Uneducated website (2014), Counihan Gallery
Multi-application website with documentation, videos, texts and online curatorial adaptive archive - designed by James Oates and U-P website deisngers collective (2014) - link here Uneducated.co
Install Shot / Uneducated (2014) group Show
(Left and Right Wall) Chalkboards 'A Sentence of Shapes 2', Simon and Tom Bloor (2014); Middleground, 'Objects are Associative' Kym Maxwell (2014); Background, Peter Tyndall, 'A Person Looks At A Work Of Art / someone, looks at something ... LOGOS / HA HA (FIAPCE Education Kit prototype)' (2014), Counihan Gallery, September 5th - October 5th 2014.
This Is Not The Work (2014) Group Show curated by LEVEL, QUT Creative Industries Precinct
Installation Uneducated, QUT Creative Industries Precinct (September 2014). Curated by LEVEL

Field 1968 (2014)
High Definition 3 channel video art work.Length: 33:11mins Year:2014
Performers: Nikita, Gem, Noah, Caitlin,Thenuga, Horatio, Pascal, Prairie, Eden, Noah, Patrick and India
Appearances by Holly Childs, Sean Peoples and Dan Bell.
Camera: Rachel Freery, Ali Sanderson, Bonnie Moir and Kym Maxwell
Director: Kym Maxwell
Documentation of work in progress, Field 1968 (2014)
Field 1968
Progress shot Field 1968 (2014)
Image Kym Maxwell
with my eye I select, with my hand I speak (2014)
Kym Maxwell, inkjet on Huhnemuhle Paper
This Is Not The Work: Field 1968 (2014)
Installation Field 1968, QUT Creative Industries Precinct (September 2014). Curated by LEVEL

Newsprint publication 'Industrial Estate' (2014)
Industrial Estate — Newsprint publication; Limited edition of 300. Printed in London and Melbourne; with two Risograph printed insert essays by Lisa Radford and Harriet Morgan. Designed by Ziga Testen. Photography Elliott Lauren. Curator Kym Maxwell. Price $8 @ selected bookstores
Detail: Industrial Estate newsprint publication (2014)
Industrial Estate newsprint publication, pages 8 and 9; works by Helen Grogam 'ACTION and FRAME' and Dan Bell 'Threshold' — pictured with two Risograph printed inserts.

State of Being: Concrete, Mannequin, Readymade (2014)
Industrial Estate group show (2014) Site: Woodcraft Mobiliar Factory

Detail: States of Being (2014)
Underneath the Cement table eight 3 x 5 digital prints, each documenting a street intervention of Kolara Rd

Location scouting for Green Paw and Field 1968 (2013)
Model, Shape, Manipulate (2013)
injet print on Hahnemuhle paper, dimensions variable
Location scouting Green Paw (2013)
Location Darebin Creek, August 2013.

GOODWILL: Memoirs of Yard Play Publication (2013)
42 pg colour publication. Edition 100. Produced by Kym Maxwell. Design Ross Paxman
GOODWILL: Memoirs of Yard Play Publication (2013)
The GOODWILL participatory Project documentation (2013)
students use of the model
Discussion (2013)
1/2 prints. Inject print with packaging tape, 36 x 60 cms on Huhnehuhle paper
GOODWILL: Memoirs of Yard Play (2013)
The trouble with Intention (2013)
Kym Maxwell, Objects of Longing Project research phase, with Dandenong Primary School (August), 2018. Photography Keelan O’Hehir.
Objects are a Limbic System Embrace Their Logic
To be presented at Dandenong Primary School, December 6th, at 5:30pm, 2019. This is a public event.
Kym Maxwell, Objects of Longing Project research phase, with Dandenong Primary School (August), 2018. Photography Keelan O’Hehir.
Kym Maxwell, Objects of Longing Project research phase, with Dandenong Primary School (August), 2018. Photography Keelan O’Hehir.
Kym Maxwell, Objects of Longing Project research phase, with Dandenong Primary School (August), 2018. Photography Keelan O’Hehir.
Kym Maxwell, Objects of Longing Project research process, with Dandenong Primary School (August), 2018. Photography Keelan O’Hehir.
Kym Maxwell, Objects of Longing Project research processwith Dandenong Primary School (August), 2018. Photography Keelan O’Hehir.
Kym Maxwell, Objects of Longing Project research process, Museum of Anticipation tent with Dandenong Primary School (July), 2018. Photography Keelan O’Hehir
'Collaborative Teacher', Objects of Longing Project, sets, props, costumes phase, with Dandenong Primary School (October) 2018
Kym Maxwell, Objects of Longing Project, Museum Collections phase, MUMA Art Collection, with Dandenong Primary School (July), 2018.
Image: Kym Maxwell, includes image of Destiny Deacon and Virigina Fraser, Forced into Images (1995), MUMA Art Collection
The Cap, Sword, Note and Teacher's TEXTA
Kym Maxwell, The Cap, Sword, Note and Teacher's TEXTA, (Site BNWPS and WPS various locations internal school grounds). Found materials: fabric with stick texta, letter, branch, 2018, inkjet print, 30cms x 40cms
A Quiet Game of Disobedience
Participatory Workshop at the New Student Precinct, Melbourne University, 2018. Organised by Next Wave curator Anita Spooner. Image: Lara Gising.
A Quiet Game of Disobedience
Participatory Workshop at the New Student Precinct, Melbourne University, 2018. Organised by Next Wave curator Anita Spooner. Image: Lara Gising.
A Quiet Game of Disobedience
Participatory Workshop at the New Student Precinct, Melbourne University, 2018. Organised by Next Wave curator Anita Spooner. Iamge: Lara Gising
Storyboard Poetics and Pedagogic Process (2017) with imagery from the Collingwood College Theatre Troupe, Westspace
(left) A Wharfie's Story chalkboard script, 2017. Chalkboard paint, MDF, chalk, screws. (Middle) Education's blood with water viaduct and soft cell stitches, 2017, cardboard tubing, gauze from previous sculpture, backdrop material, plaster, house paint, clear Perspex single filing cabinet, curriculum documentation, rope, cardboard tubing, elastic, pillows, 2050 X 600 X 450mm. (Right) archival installation (2017), photograph, photocopy, print, paint, archival paper. (installation variable) 3.5 x 7.5 x 3.3m. Westspace Gallery. Image: Christo Crocker
Storyboard Poetics and Pedagogic Process (2017) with imagery from the Collingwood College Theatre Troupe, Westspace
Wharfie's Story Script, 2017. Chalkboard paint, MDF, chalk, screws. 2.8m x 1.8m x 30mm. Image Chirsto Crocker, 2017.
Storyboard Poetics and Pedagogic Process (2017) with imagery from the Collingwood College Theatre Troupe, Westspace
(Back Middle) 21stC pedagogic process found-material stage design, 1950's Fruit Boxes,2017, [re-installation instructions: requested seven boxes from Mac Donalds (take those given)], rope, gaffa tape, 'ethics guilt' tubing, glue, newspaper, found palette. Dimensions 1050 x 1100 x 1002 mm.
(Back Left) Swish or Swill,2017. Found tin can, found tin cup, crate, carpet tiling, water and asbestos like talcum powder, 1200 X 900 X 1200 mm.
(Front Middle) My life as a wharfie learnerar, 2017, hessian sack, and twine wadding and newspaper, purchased girl overall dress, found crate, 810 x 800 x 1010 mm.
Storyboard Poetics and Pedagogic Process (2017) with imagery from the Collingwood College Theatre Troupe, Westspace
Kym Maxwell, storyboard iteration 2017, teaching and learning ephemera from a 2015 performance arts curriculum, seven pine stud arches and frames, white corduroy, nails, screws, two wooden stools, archival images gifted from Jim and Tui Beggs, multiple imagery reproduced from photographs by Keelan O'Hehir, Christian Capurro and Kym Maxwell relate to the theatre production A Wharfie’s Story performed by The Collingwood College Theatre Troupe (2015), as well as watercolour drawings and lithograph prints, notebook digital reproductions, charcoal comments, bluetak, gold split pins, sticky tape. All altered documentation, drawings, paintings, prints and sculptures by Kym Maxwell (2016-2017). Dimensions variable, ongoing installation instructions the fabric corduroy wallmust be 730 mm distance from the gallery wall, partly concealed with its height one third lower than the gallery wall..Gallery. For storyboard poetics and pedagogic process, Westspace Gallery. Images Christo Crocker
Informal Learning (2017), George Paton Gallery
Installation detail, April 2017. Materials: tyre paint, trestle door .and steel table, university upcycled chairs. Photography: Alysha Redston
Informal Learning (2017), George Paton Gallery
Installation detail. Materials: Tyre paint, up-cycled university chair, vinyl lettering. Photography: Alysha Redston (GPG)
Informal Learning (2017), George Paton Gallery
Installation detail, April 2017. Materials: gallery invigilation table, pen, butchers paper, photocopy prints of documentation of Level 2 and 3 of Union House, Melbourne University, chair and information sheet. Photography: Alysha Redston (GPG)
Informal Learning (2016) promotion image
Kym Maxwell Websearch ‘assessment’, December 9th 2016. Found: http://teche.ltc.mq.edu.au/human-science/new-assessment-policy-effect-session-2/
Learning Labour installation (2017), B. 6 Monash University
Kym Maxwell. Installation image of Learning Labour (sets and their institutional setting) MFA Grad Show (2017). (Left) Ropes from the North Wharf. (Middle) Floor Sculpture, system (siphon) failure (fault), 2017. Materials: found water drainage pipes from a Monash University upgrade, water bottle, hose and carpet tiles Dimensions Variable.(Wall) PARTICIPANT FUND, 2017. Materials: Paint and Charcoal. Dimensions Variable. Photography: Chrisitan Capurro.
Learning Labour installation (2017) Sets: A Wharfie's Story, B. 6 Monash University
Collingwood College Theatre Troupe and Kym Maxwell. Installation image of Learning Labour (sets and their institutional setting) MFA Grad Show (2017). (Left) Scene 2: The North Wharf; (Middle) Scene 9: 'Jim Beggs Report to Pier 9 immediately'; Scene 5: 'The Waterside Worker's Union'; (Right) Scene 1: Playground Scene. Materials fabric, paint and velcro. Dimensions Variable. Photography: Chrisitan Capurro.
Learning Labour installation (2017) Sets: A Wharfie's Story, B. 6 Monash University
Kym Maxwell. Installation image of Learning Labour (sets and their institutional setting) MFA Grad Show (2017). Feature wooden vitrine with production ephemera from the theater work, A Wharfie's Story with Collingwood College Theatre Troupe. Photography: Chrisitan Capurro.
Learning Labour installation (2017) Sets: A Wharfie's Story, B. 6 Monash University
Kym Maxwell, installation shot Learning Labour, (sets and their institutional setting), MFA Grad Show (2017). Materials variable. Dimensions Variable. Photography: Chrisitan Capurro.
Cultural Capital and the Contract (2016) Queen Victoria Market as part of the Biennale Lab
Cultural Capital and the Contract was presented as part of Melbourne's Inaugural Biennale Lab at Queen Victoria Market as part of the Mechanics' Institute socially-engaged initiative and funded by the City of Melbourne.
Steiner Verse (2016), for Polyphonic Social, Liquid Architecture at Abbotsford Convent
Documentation post-performance 'Steiner Verse.' A vocal collaboration with Class 6 pedagogue Tania Rao and artist Kym Maxwell and the students of Sophia Mundi. The chalkboards within the room were produced by the students detailing the traveling of sound within verse. The project partners included Liquid Architecture, Sophia Mundi and Abbotsford Convent: Fellow artists included Lara Thoms, Zoe Scoglio and The Prophets. This project was proudly sponsored by the City of Yarra.
Steiner Verse (2016), for Polyphonic Social, Liquid Architecture at Abbotsford Convent
Students of Sophia Mundi in preparation to present 'Steiner Verse' a vocal collaboration with Class 6 pedagogue Tania Rao and artist Kym Maxwell. The Polyphonic Social Project was assisted by the City of Yarra. Project Partners were Liquid Architecture and Abbotsford Convent
Steiner Verse (2016), for Polyphonic Social, Liquid Architecture at Abbotsford Convent
Students of Sophia Mundi are presenting an original composition by Jasper, the 'Beating of the Drum' - a three string ensemble, for Steiner Verse, with Pedagogue Tania and artist Kym Maxwell. Project partners Liquid Architecture and Abbotsford Convent
Young Publics Theatre Troupe (2016) Promotional Flyer
These workshops establish the makings of a unique child-centered theatre troupe. The framework for the children's performances explores sonic, video, sculptural and/or movement based production and/or intervention. The process is active and thinking focused emphasising developing an understanding one another as part of the process, for children aged between 8 to 13 years.
Parenting is Political (with Angela Brennan) (2016) Bus Projects
Exhibition of Chalkboards, website and paintings, Bus Project Feb 3rd to 20th
Installation shot: Kym Maxwell
Parenting is Political website accompanying the Bus Projects Show
for a link to this website designed by Robert Janes, with text and video contributions by Aurelia Guo, Angela Brennan, Anastasia Klose, Peter Tyndall and Melissa Deerson please click the link here
Parenting is Political (2016) exhibition and website launch
http://www.parentingispolitical.com
Bus Projects
31 Rokeby St, Collingwood
February 3rd to 20th, 2016
image source: Hippie Family, google
location for the production, A Wharfie's Story (2015) Library of the Docks, Buluk Park,North Wharf, Melbourne
Research Buluk Park - site for performance November 21st, 2015
Set - Wailing Wall, A Wharfie's Story (2015) Collingwood College
Produced by the children of the Collingwood College Theatre Troupe, Oct 2015
Presented at North Wharf, The Docks, Docklands - November 2015
Source Image (2015) Waterside Worker's Union Labour Day 1921, Melbourne
Souce inspiration for A Wharfie's Story
If Transmission Were Material (2015) Mural Hall, Abbotsford Convent
Site-specific installation: Mural Hall, Abbotsford Convent, September 9th - 20th, 2015. Five TV monitors, 1 Flatscreen TV, five mannequins, clothing, five steel tables, 1 acrow prop and six single channel videos (on DVD and USB) colour and sound (lengths 16mins to 22 mins). Photography Patrick Rodigeuz
If Transmission Were Material (2015), Mural Hall, Abbotsford Convent
installation view: Flatscreen TV. 16 minute video loop. USB. 'Audience' as part of a 6 screen site specific installation, 'If Transmission Were Material' Mural Hall, Abbotsford Convent, 2015
If Transmission Were Material (2015) Mural Hall, Abbotsford Convent
Collingwood College Theatre Troupe with Kym Maxwell, A Wharfie’s Story, 2015, performance Buluk Park, November 21st, 2015. Image: Keelan O’Hehir.
Theatre (2015)
Kym Maxwell, inkjet on Hahnemuhle paper. Dimensions Variable
theatre back turned (2015)
Kym Maxwell, inkjet on Huhnemuhle paper. Dimensions variable
Nasa and Moonglow (2014) Screening ACMI, Channels
3 mins, HD, B/W video, stereo sound. Presented at Channels Video Art Festival 2015, ACMI. This adaptation fo the film, 'It Girl' of 1928 portrays the roles women played pre-code cinema. The cut-up and re-edit questions the gender values of this time as demonstrated in the acting of Clara Bow. The It girl actress that suffered great criticism for her gregarious ways, although controversally it was freely utilised for cinematic effect.
Literacy intervention (2014): Re-Raising Conciousness, TCB Art Inc
Liberty of Imagination: Duelling Spheres (Goodwill Object Research) (2014)
Hatch Contemporary Art Space Artist in Residence Nov/Dec 2014
'Liberty of the Screen' (2014) Malahang Reserve, Heidelberg West
Funded by the Pinpoint Ephemeral Arts Event Program sponsored by the Banyule City Council. Presented on November 23rd with a team of 10 volunteers this public intervention posed the value of screening out and screening in observation of one's behaviour in public. Does safety improve through observation or does it hinder expression and risk?
Uneducated (2014) Group Show curated by Kym Maxwell, Counihan Gallery
'Objects are Associative' (2014), Counihan Gallery
Uneducated Curation Project (2014) with the children of Collingwood College and Emily Floyd, Counihan Gallery
Children in the process of collaborating towards the re-hang of Uneducated September 18th, Counihan Gallery (dates: September 5th - October 5th, 2014)
Uneducated website (2014), Counihan Gallery
Multi-application website with documentation, videos, texts and online curatorial adaptive archive - designed by James Oates and U-P website deisngers collective (2014) - link here Uneducated.co
Install Shot / Uneducated (2014) group Show
(Left and Right Wall) Chalkboards 'A Sentence of Shapes 2', Simon and Tom Bloor (2014); Middleground, 'Objects are Associative' Kym Maxwell (2014); Background, Peter Tyndall, 'A Person Looks At A Work Of Art / someone, looks at something ... LOGOS / HA HA (FIAPCE Education Kit prototype)' (2014), Counihan Gallery, September 5th - October 5th 2014.
This Is Not The Work (2014) Group Show curated by LEVEL, QUT Creative Industries Precinct
Installation Uneducated, QUT Creative Industries Precinct (September 2014). Curated by LEVEL
Field 1968 (2014)
High Definition 3 channel video art work.Length: 33:11mins Year:2014
Performers: Nikita, Gem, Noah, Caitlin,Thenuga, Horatio, Pascal, Prairie, Eden, Noah, Patrick and India
Appearances by Holly Childs, Sean Peoples and Dan Bell.
Camera: Rachel Freery, Ali Sanderson, Bonnie Moir and Kym Maxwell
Director: Kym Maxwell
Documentation of work in progress, Field 1968 (2014)
Field 1968
Progress shot Field 1968 (2014)
Image Kym Maxwell
with my eye I select, with my hand I speak (2014)
Kym Maxwell, inkjet on Huhnemuhle Paper
This Is Not The Work: Field 1968 (2014)
Installation Field 1968, QUT Creative Industries Precinct (September 2014). Curated by LEVEL
Newsprint publication 'Industrial Estate' (2014)
Industrial Estate — Newsprint publication; Limited edition of 300. Printed in London and Melbourne; with two Risograph printed insert essays by Lisa Radford and Harriet Morgan. Designed by Ziga Testen. Photography Elliott Lauren. Curator Kym Maxwell. Price $8 @ selected bookstores
Detail: Industrial Estate newsprint publication (2014)
Industrial Estate newsprint publication, pages 8 and 9; works by Helen Grogam 'ACTION and FRAME' and Dan Bell 'Threshold' — pictured with two Risograph printed inserts.
State of Being: Concrete, Mannequin, Readymade (2014)
Industrial Estate group show (2014) Site: Woodcraft Mobiliar Factory
Detail: States of Being (2014)
Underneath the Cement table eight 3 x 5 digital prints, each documenting a street intervention of Kolara Rd
Location scouting for Green Paw and Field 1968 (2013)
Model, Shape, Manipulate (2013)
injet print on Hahnemuhle paper, dimensions variable
Location scouting Green Paw (2013)
Location Darebin Creek, August 2013.
GOODWILL: Memoirs of Yard Play Publication (2013)
42 pg colour publication. Edition 100. Produced by Kym Maxwell. Design Ross Paxman
GOODWILL: Memoirs of Yard Play Publication (2013)
The GOODWILL participatory Project documentation (2013)
students use of the model
Discussion (2013)
1/2 prints. Inject print with packaging tape, 36 x 60 cms on Huhnehuhle paper
GOODWILL: Memoirs of Yard Play (2013)
The trouble with Intention (2013)











































