......................................................................................................................................................................................................................
West Space - 26.05.2017 - 01.07.2017-041.jpg
West Space - 26.05.2017 - 01.07.2017-116.jpg
West Space - 26.05.2017 - 01.07.2017-121.jpg
West Space - 26.05.2017 - 01.07.2017-096.jpg
West Space - 26.05.2017 - 01.07.2017-086.jpg
West Space - 26.05.2017 - 01.07.2017-140.jpg
Informal Learning (2017), George Paton Gallery

Informal Learning (2017), George Paton Gallery

Installation detail, April 2017. Materials: tyre paint, trestle door and steel table, university upcycled chairs. Photography: Alysha Redston (GPG)

Informal Learning (2017), George Paton Gallery

Informal Learning (2017), George Paton Gallery

Installation detail. Materials: Tyre paint, up-cycled university chair, vinyl lettering. Photography: Alysha Redston (GPG)

Informal Learning (2017), George Paton Gallery

Informal Learning (2017), George Paton Gallery

Installation detail, April 2017. Materials: gallery invigilation table, pen, butchers paper, photocopy prints of documentation of Level 2 and 3 of Union House, Melbourne University, chair and information sheet. Photography: Alysha Redston (GPG)

Informal Learning (2017), George Paton Gallery

Informal Learning (2017), George Paton Gallery

Installation detail, April 2017. Materials: tyre paint, vinyl stickers, trestle door, university upcycled chairs. Photography: Alysha Redston  (GPG)

Informal Learning  (2016) promotion image

Informal Learning (2016) promotion image

Kym Maxwell Websearch ‘assessment’, December 9th 2016. Found: http://teche.ltc.mq.edu.au/human-science/new-assessment-policy-effect-session-2/

Learning Labour installation (2017), B. 6 Monash University

Learning Labour installation (2017), B. 6 Monash University

Kym Maxwell. Installation image of Learning Labour (sets and their institutional setting) MFA Grad Show (2017). (Left) Ropes from the North Wharf. (Middle) Floor Sculpture, system (siphon) failure (fault), 2017. Materials: found water drainage pipes from a Monash University upgrade, water bottle, hose and carpet tiles Dimensions Variable.(Wall) PARTICIPANT FUND, 2017. Materials: Paint and Charcoal. Dimensions Variable. Photography: Chrisitan Capurro. 

Learning Labour installation (2017) Sets: A Wharfie's Story, B. 6 Monash University

Learning Labour installation (2017) Sets: A Wharfie's Story, B. 6 Monash University

Collingwood College Theatre Troupe and Kym Maxwell. Installation image of Learning Labour (sets and their institutional setting) MFA Grad Show (2017). (Left) Scene 2: The North Wharf; (Middle) Scene 9: 'Jim Beggs Report to Pier 9 immediately'; Scene 5: 'The Waterside Worker's Union'; (Right) Scene 1: Playground Scene. Materials fabric, paint and velcro. Dimensions Variable. Photography: Chrisitan Capurro. 

Learning Labour installation (2017) Sets: A Wharfie's Story, B. 6 Monash University

Learning Labour installation (2017) Sets: A Wharfie's Story, B. 6 Monash University

Kym Maxwell. Installation image of Learning Labour (sets and their institutional setting) MFA Grad Show (2017). Feature wooden vitrine with production ephemera from the theater work, A Wharfie's Story with Collingwood College Theatre Troupe. Photography: Chrisitan Capurro. 

Learning Labour installation (2017) Sets: A Wharfie's Story, B. 6 Monash University

Learning Labour installation (2017) Sets: A Wharfie's Story, B. 6 Monash University

Kym Maxwell, installation shot Learning Labour, (sets and their institutional setting), MFA Grad Show (2017). Materials variable. Dimensions Variable. Photography: Chrisitan Capurro. 

16-9_Maxwell_5.jpg
16-9_Maxwell_13a.jpg
Lithograph

Lithograph

16-9_Maxwell_17.jpg
16-9_Maxwell_14.jpg
Learning Labour installation (2017), B. 6 Monash University

Learning Labour installation (2017), B. 6 Monash University

Installation of works Kym Maxwell, Learning Labour, MFA GRAD Show, B.6, Monash University, 2017. (Left) educations' blood (2017) plaster, paper, fabric, tubing, paint. Dimensions 750 x 1900 x 650. (Right) Berger's traveller free of the institutional (formally ethic's guilt: propped confidence) (2017) metal, charcoal, plasticine, wire, paper, fabric, foam cording. Dimensions 900x 1100 x 450. Photography: Chrisitan Capurro. 

Cultural Capital and the Contract (2016) Queen Victoria Market as part of the Biennale Lab

Cultural Capital and the Contract (2016) Queen Victoria Market as part of the Biennale Lab

Cultural Capital and the Contract was presented as part of Melbourne's Inaugural Biennale Lab at Queen Victoria Market as part of the Mechanics' Institute socially-engaged initiative and funded by the City of Melbourne. 

Steiner Verse (2016), for Polyphonic Social, Liquid Architecture at Abbotsford Convent

Steiner Verse (2016), for Polyphonic Social, Liquid Architecture at Abbotsford Convent

Documentation post-performance 'Steiner Verse.' A vocal collaboration with Class 6 pedagogue Tania Rao and artist Kym Maxwell and the students of Sophia Mundi. The chalkboards within the room were produced by the students detailing the traveling of sound within verse. The project partners included Liquid Architecture, Sophia Mundi and Abbotsford Convent: Fellow artists included Lara Thoms, Zoe Scoglio and The Prophets. This project was proudly sponsored by the City of Yarra.

Steiner Verse (2016), for Polyphonic Social, Liquid Architecture at Abbotsford Convent

Steiner Verse (2016), for Polyphonic Social, Liquid Architecture at Abbotsford Convent

Students of Sophia Mundi in preparation to present 'Steiner Verse' a vocal collaboration with Class 6 pedagogue Tania Rao and artist Kym Maxwell. The Polyphonic Social Project was assisted by the City of Yarra. Project Partners were Liquid Architecture and Abbotsford Convent

Steiner Verse (2016), for Polyphonic Social, Liquid Architecture at Abbotsford Convent

Steiner Verse (2016), for Polyphonic Social, Liquid Architecture at Abbotsford Convent

Students of Sophia Mundi are presenting an original composition by Jasper, the 'Beating of the Drum' - a three string ensemble, for Steiner Verse, with Pedagogue Tania and artist Kym Maxwell. Project partners Liquid Architecture and Abbotsford Convent

Young Publics Theatre Troupe (2016) Promotional Flyer

Young Publics Theatre Troupe (2016) Promotional Flyer

These workshops establish the makings of a unique child-centered theatre troupe. The framework for the children's performances explores sonic, video, sculptural and/or movement based production and/or intervention. The process is active and thinking focused emphasising developing an understanding one another as part of the process, for children aged between 8 to 13 years. 

 

Parenting is Political (with Angela Brennan) (2016) Bus Projects

Parenting is Political (with Angela Brennan) (2016) Bus Projects

Exhibition of Chalkboards, website and paintings, Bus Project Feb 3rd to 20th

Installation shot: Kym Maxwell

16-9_Maxwell_2.jpg
Parenting is Political (2016) exhibition and website launch

Parenting is Political (2016) exhibition and website launch

http://www.parentingispolitical.com

Bus Projects 

31 Rokeby St, Collingwood

February 3rd to 20th, 2016

image source: Hippie Family, google

 

location for the production, A Wharfie's Story (2015) Library of the Docks, Buluk Park,North Wharf, Melbourne

location for the production, A Wharfie's Story (2015) Library of the Docks, Buluk Park,North Wharf, Melbourne

Research Buluk Park - site for performance November 21st, 2015

 

Set - Wailing Wall, A Wharfie's Story (2015) Collingwood College

Set - Wailing Wall, A Wharfie's Story (2015) Collingwood College

Produced by the children of the Collingwood College Theatre Troupe, Oct 2015

Presented at North Wharf, The Docks, Docklands - November 2015

Source Image (2015) Waterside Worker's Union Labour Day 1921, Melbourne

Source Image (2015) Waterside Worker's Union Labour Day 1921, Melbourne

Souce inspiration for A Wharfie's Story

If Transmission Were Material (2015) Mural Hall, Abbotsford Convent

If Transmission Were Material (2015) Mural Hall, Abbotsford Convent

Site-specific installation: Mural Hall, Abbotsford Convent, September 9th - 20th, 2015. Five TV monitors, 1 Flatscreen TV, five mannequins, clothing, five steel tables, 1 acrow prop and six single channel videos (on DVD and USB) colour and sound (lengths 16mins to 22 mins). Photography Patrick Rodigeuz 

If Transmission Were Material (2015), Mural Hall, Abbotsford Convent

If Transmission Were Material (2015), Mural Hall, Abbotsford Convent

installation view: Flatscreen TV. 16 minute video loop. USB. 'Audience' as part of a 6 screen site specific installation, 'If Transmission Were Material' Mural Hall, Abbotsford Convent, 2015

If Transmission Were Material (2015) Mural Hall, Abbotsford Convent

If Transmission Were Material (2015) Mural Hall, Abbotsford Convent

Theatre (2015)

Theatre (2015)

Kym Maxwell, inkjet on Hahnemuhle paper. Dimensions Variable

theatre back turned (2015)

theatre back turned (2015)

Kym Maxwell, inkjet on Huhnemuhle paper. Dimensions variable

Nasa and Moonglow (2014) Screening ACMI, Channels

Nasa and Moonglow (2014) Screening ACMI, Channels

3 mins, HD, B/W video, stereo sound. Presented at Channels Video Art Festival 2015, ACMI. This adaptation fo the film, 'It Girl' of 1928 portrays the roles women played pre-code cinema. The cut-up and re-edit questions the gender values of this time as demonstrated in the acting of Clara Bow. The It girl actress that suffered great criticism for her gregarious ways, although controversally it was freely utilised for cinematic effect.

 

Literacy intervention (2014): Re-Raising Conciousness, TCB Art Inc

Literacy intervention (2014): Re-Raising Conciousness, TCB Art Inc

Liberty of Imagination: Duelling Spheres (Goodwill Object Research) (2014)

Liberty of Imagination: Duelling Spheres (Goodwill Object Research) (2014)

Hatch Contemporary Art Space Artist in Residence Nov/Dec 2014

'Liberty of the Screen' (2014) Malahang Reserve, Heidelberg West

'Liberty of the Screen' (2014) Malahang Reserve, Heidelberg West

Funded by the Pinpoint Ephemeral Arts Event Program sponsored by the Banyule City Council. Presented on November 23rd with a team of 10 volunteers this public intervention posed the value of screening out and screening in observation of one's behaviour in public. Does safety improve through observation or does it hinder expression and risk?

Uneducated (2014) Group Show curated by Kym Maxwell, Counihan Gallery

Uneducated (2014) Group Show curated by Kym Maxwell, Counihan Gallery

http://uneducated.co

'Objects are Associative' (2014), Counihan Gallery

'Objects are Associative' (2014), Counihan Gallery

http://uneducated.co

Uneducated Curation Project (2014) with the children of Collingwood College and Emily Floyd, Counihan Gallery

Uneducated Curation Project (2014) with the children of Collingwood College and Emily Floyd, Counihan Gallery

Children in the process of collaborating towards the re-hang of Uneducated September 18th, Counihan Gallery (dates: September 5th - October 5th, 2014)

Uneducated (2014), Counihan Gallery

Uneducated (2014), Counihan Gallery

(Left) Simon and Tom Bloor (UK), (Right) Annette Krauss (NL) Hidden Curriculum, Counihan Gallery

Install Shot / Uneducated (2014) group Show

Install Shot / Uneducated (2014) group Show

(Left and Right Wall) Chalkboards 'A Sentence of Shapes 2', Simon and Tom Bloor (2014); Middleground, 'Objects are Associative' Kym Maxwell (2014);  Background, Peter Tyndall, 'A Person Looks At A Work Of Art / someone, looks at something ... LOGOS / HA HA (FIAPCE Education Kit prototype)' (2014), Counihan Gallery, September 5th - October 5th 2014.

Objects are Associative (2014) Counihan Gallery

Objects are Associative (2014) Counihan Gallery

HD video (2minutes: sound and audio) wood, cords, tyres, found objects, woollen blanket, Goodwill objects. 2.5m x 1.8m x 2.8m.

This Is Not The Work (2014) Group Show curated by LEVEL, QUT Creative Industries Precinct

This Is Not The Work (2014) Group Show curated by LEVEL, QUT Creative Industries Precinct

Installation Uneducated, QUT Creative Industries Precinct (September 2014). Curated by LEVEL

This is Not The Work (2014) curated by LEVEL, QUT Creative Industries Precinct

This is Not The Work (2014) curated by LEVEL, QUT Creative Industries Precinct

Installation Uneducated, QUT Creative Industries Precinct (September 2014) Curated by LEVEL

Field 1968 (2014)

Field 1968 (2014)

High Definition 3 channel video art work.Length: 33:11mins Year:2014

Performers: Nikita, Gem, Noah, Caitlin,Thenuga, Horatio, Pascal, Prairie, Eden, Noah, Patrick and India

Appearances by Holly Childs, Sean Peoples and Dan Bell.

Camera: Rachel Freery, Ali Sanderson, Bonnie Moir and Kym Maxwell

Director: Kym Maxwell

Documentation of work in progress, Field 1968 (2014)

Documentation of work in progress, Field 1968 (2014)

Field 1968

Progress shot Field 1968 (2014)

Progress shot Field 1968 (2014)

Image Kym Maxwell

with my eye I select, with my hand I speak (2014)

with my eye I select, with my hand I speak (2014)

Kym Maxwell, inkjet on Huhnemuhle Paper

This Is Not The Work: Field 1968 (2014)

This Is Not The Work: Field 1968 (2014)

Installation Field 1968, QUT Creative Industries Precinct (September 2014). Curated by LEVEL

Newsprint publication 'Industrial Estate' (2014)

Newsprint publication 'Industrial Estate' (2014)

Industrial Estate — Newsprint publication; Limited edition of 300. Printed in London and Melbourne; with two Risograph printed insert essays by Lisa Radford and Harriet Morgan. Designed by Ziga Testen. Photography Elliott Lauren. Curator Kym Maxwell. Price $8 @ selected bookstores

Detail: Industrial Estate newsprint publication (2014)

Detail: Industrial Estate newsprint publication (2014)

Industrial Estate newsprint publication, pages 8 and 9; works by Helen Grogam 'ACTION and FRAME' and Dan Bell 'Threshold' — pictured with two Risograph printed inserts.

State of Being: Concrete, Mannequin, Readymade (2014)

State of Being: Concrete, Mannequin, Readymade (2014)

Industrial Estate group show (2014) Site: Woodcraft Mobiliar Factory

Detail: States of Being (2014)

Detail: States of Being (2014)

Underneath the Cement table eight 3 x 5 digital prints, each documenting a street intervention of Kolara Rd

Model, Shape, Manipulate (2013)

Model, Shape, Manipulate (2013)

injet print on Hahnemuhle paper, dimensions variable

Location scouting Green Paw (2013)

Location scouting Green Paw (2013)

Location Darebin Creek, August 2013.

Location scouting for Green Paw and Field 1968 (2013)

Location scouting for Green Paw and Field 1968 (2013)

GOODWILL: Memoirs of Yard Play Publication (2013)

GOODWILL: Memoirs of Yard Play Publication (2013)

42 pg colour publication. Edition 100. Produced by Kym Maxwell. Design Ross Paxman

GOODWILL: Memoirs of Yard Play Publication (2013)

GOODWILL: Memoirs of Yard Play Publication (2013)

The GOODWILL participatory Project documentation (2013)

The GOODWILL participatory Project documentation (2013)

students use of the model

Discussion (2013)

Discussion (2013)

1/2 prints. Inject print with packaging tape, 36 x 60 cms on Huhnehuhle paper

GOODWILL: Memoirs of Yard Play (2013)

GOODWILL: Memoirs of Yard Play (2013)

The GOODWILL Participatory Project (2013)

The GOODWILL Participatory Project (2013)

Outcomes Kings Ari

Install shot, Choreography of Play (2013) (collaboration with children of Charles La Trobe College)

Install shot, Choreography of Play (2013) (collaboration with children of Charles La Trobe College)

commission by Banyule City Council for Olympic Village Bins - as part of Protective Services commission 

Green Paw production shot (2013)

Green Paw production shot (2013)

Film with Julian Williams Green Paw, August 2013. Location: Woodcraft Mobiliar

La La Hi Prism Videolabel installation at Slopes Gallery (2014)

La La Hi Prism Videolabel installation at Slopes Gallery (2014)

Resale of VHS video works at Slopes April 2014

GOODWILL research documentation (2013)

GOODWILL research documentation (2013)

May 2013, Annie Dennis Childrens Center, Melbourne Australia

The trouble with Intention (2013)

The trouble with Intention (2013)

Informal Learning (2017), George Paton Gallery

Installation detail, April 2017. Materials: tyre paint, trestle door and steel table, university upcycled chairs. Photography: Alysha Redston (GPG)

Informal Learning (2017), George Paton Gallery

Installation detail. Materials: Tyre paint, up-cycled university chair, vinyl lettering. Photography: Alysha Redston (GPG)

Informal Learning (2017), George Paton Gallery

Installation detail, April 2017. Materials: gallery invigilation table, pen, butchers paper, photocopy prints of documentation of Level 2 and 3 of Union House, Melbourne University, chair and information sheet. Photography: Alysha Redston (GPG)

Informal Learning (2017), George Paton Gallery

Installation detail, April 2017. Materials: tyre paint, vinyl stickers, trestle door, university upcycled chairs. Photography: Alysha Redston  (GPG)

Informal Learning (2016) promotion image

Kym Maxwell Websearch ‘assessment’, December 9th 2016. Found: http://teche.ltc.mq.edu.au/human-science/new-assessment-policy-effect-session-2/

Learning Labour installation (2017), B. 6 Monash University

Kym Maxwell. Installation image of Learning Labour (sets and their institutional setting) MFA Grad Show (2017). (Left) Ropes from the North Wharf. (Middle) Floor Sculpture, system (siphon) failure (fault), 2017. Materials: found water drainage pipes from a Monash University upgrade, water bottle, hose and carpet tiles Dimensions Variable.(Wall) PARTICIPANT FUND, 2017. Materials: Paint and Charcoal. Dimensions Variable. Photography: Chrisitan Capurro. 

Learning Labour installation (2017) Sets: A Wharfie's Story, B. 6 Monash University

Collingwood College Theatre Troupe and Kym Maxwell. Installation image of Learning Labour (sets and their institutional setting) MFA Grad Show (2017). (Left) Scene 2: The North Wharf; (Middle) Scene 9: 'Jim Beggs Report to Pier 9 immediately'; Scene 5: 'The Waterside Worker's Union'; (Right) Scene 1: Playground Scene. Materials fabric, paint and velcro. Dimensions Variable. Photography: Chrisitan Capurro. 

Learning Labour installation (2017) Sets: A Wharfie's Story, B. 6 Monash University

Kym Maxwell. Installation image of Learning Labour (sets and their institutional setting) MFA Grad Show (2017). Feature wooden vitrine with production ephemera from the theater work, A Wharfie's Story with Collingwood College Theatre Troupe. Photography: Chrisitan Capurro. 

Learning Labour installation (2017) Sets: A Wharfie's Story, B. 6 Monash University

Kym Maxwell, installation shot Learning Labour, (sets and their institutional setting), MFA Grad Show (2017). Materials variable. Dimensions Variable. Photography: Chrisitan Capurro. 

Lithograph

Learning Labour installation (2017), B. 6 Monash University

Installation of works Kym Maxwell, Learning Labour, MFA GRAD Show, B.6, Monash University, 2017. (Left) educations' blood (2017) plaster, paper, fabric, tubing, paint. Dimensions 750 x 1900 x 650. (Right) Berger's traveller free of the institutional (formally ethic's guilt: propped confidence) (2017) metal, charcoal, plasticine, wire, paper, fabric, foam cording. Dimensions 900x 1100 x 450. Photography: Chrisitan Capurro. 

Cultural Capital and the Contract (2016) Queen Victoria Market as part of the Biennale Lab

Cultural Capital and the Contract was presented as part of Melbourne's Inaugural Biennale Lab at Queen Victoria Market as part of the Mechanics' Institute socially-engaged initiative and funded by the City of Melbourne. 

Steiner Verse (2016), for Polyphonic Social, Liquid Architecture at Abbotsford Convent

Documentation post-performance 'Steiner Verse.' A vocal collaboration with Class 6 pedagogue Tania Rao and artist Kym Maxwell and the students of Sophia Mundi. The chalkboards within the room were produced by the students detailing the traveling of sound within verse. The project partners included Liquid Architecture, Sophia Mundi and Abbotsford Convent: Fellow artists included Lara Thoms, Zoe Scoglio and The Prophets. This project was proudly sponsored by the City of Yarra.

Steiner Verse (2016), for Polyphonic Social, Liquid Architecture at Abbotsford Convent

Students of Sophia Mundi in preparation to present 'Steiner Verse' a vocal collaboration with Class 6 pedagogue Tania Rao and artist Kym Maxwell. The Polyphonic Social Project was assisted by the City of Yarra. Project Partners were Liquid Architecture and Abbotsford Convent

Steiner Verse (2016), for Polyphonic Social, Liquid Architecture at Abbotsford Convent

Students of Sophia Mundi are presenting an original composition by Jasper, the 'Beating of the Drum' - a three string ensemble, for Steiner Verse, with Pedagogue Tania and artist Kym Maxwell. Project partners Liquid Architecture and Abbotsford Convent

Young Publics Theatre Troupe (2016) Promotional Flyer

These workshops establish the makings of a unique child-centered theatre troupe. The framework for the children's performances explores sonic, video, sculptural and/or movement based production and/or intervention. The process is active and thinking focused emphasising developing an understanding one another as part of the process, for children aged between 8 to 13 years. 

 

Parenting is Political (with Angela Brennan) (2016) Bus Projects

Exhibition of Chalkboards, website and paintings, Bus Project Feb 3rd to 20th

Installation shot: Kym Maxwell

Parenting is Political (2016) exhibition and website launch

http://www.parentingispolitical.com

Bus Projects 

31 Rokeby St, Collingwood

February 3rd to 20th, 2016

image source: Hippie Family, google

 

location for the production, A Wharfie's Story (2015) Library of the Docks, Buluk Park,North Wharf, Melbourne

Research Buluk Park - site for performance November 21st, 2015

 

Set - Wailing Wall, A Wharfie's Story (2015) Collingwood College

Produced by the children of the Collingwood College Theatre Troupe, Oct 2015

Presented at North Wharf, The Docks, Docklands - November 2015

Source Image (2015) Waterside Worker's Union Labour Day 1921, Melbourne

Souce inspiration for A Wharfie's Story

If Transmission Were Material (2015) Mural Hall, Abbotsford Convent

Site-specific installation: Mural Hall, Abbotsford Convent, September 9th - 20th, 2015. Five TV monitors, 1 Flatscreen TV, five mannequins, clothing, five steel tables, 1 acrow prop and six single channel videos (on DVD and USB) colour and sound (lengths 16mins to 22 mins). Photography Patrick Rodigeuz 

If Transmission Were Material (2015), Mural Hall, Abbotsford Convent

installation view: Flatscreen TV. 16 minute video loop. USB. 'Audience' as part of a 6 screen site specific installation, 'If Transmission Were Material' Mural Hall, Abbotsford Convent, 2015

If Transmission Were Material (2015) Mural Hall, Abbotsford Convent

Theatre (2015)

Kym Maxwell, inkjet on Hahnemuhle paper. Dimensions Variable

theatre back turned (2015)

Kym Maxwell, inkjet on Huhnemuhle paper. Dimensions variable

Nasa and Moonglow (2014) Screening ACMI, Channels

3 mins, HD, B/W video, stereo sound. Presented at Channels Video Art Festival 2015, ACMI. This adaptation fo the film, 'It Girl' of 1928 portrays the roles women played pre-code cinema. The cut-up and re-edit questions the gender values of this time as demonstrated in the acting of Clara Bow. The It girl actress that suffered great criticism for her gregarious ways, although controversally it was freely utilised for cinematic effect.

 

Literacy intervention (2014): Re-Raising Conciousness, TCB Art Inc

Liberty of Imagination: Duelling Spheres (Goodwill Object Research) (2014)

Hatch Contemporary Art Space Artist in Residence Nov/Dec 2014

'Liberty of the Screen' (2014) Malahang Reserve, Heidelberg West

Funded by the Pinpoint Ephemeral Arts Event Program sponsored by the Banyule City Council. Presented on November 23rd with a team of 10 volunteers this public intervention posed the value of screening out and screening in observation of one's behaviour in public. Does safety improve through observation or does it hinder expression and risk?

Uneducated (2014) Group Show curated by Kym Maxwell, Counihan Gallery

http://uneducated.co

'Objects are Associative' (2014), Counihan Gallery

http://uneducated.co

Uneducated Curation Project (2014) with the children of Collingwood College and Emily Floyd, Counihan Gallery

Children in the process of collaborating towards the re-hang of Uneducated September 18th, Counihan Gallery (dates: September 5th - October 5th, 2014)

Uneducated (2014), Counihan Gallery

(Left) Simon and Tom Bloor (UK), (Right) Annette Krauss (NL) Hidden Curriculum, Counihan Gallery

Install Shot / Uneducated (2014) group Show

(Left and Right Wall) Chalkboards 'A Sentence of Shapes 2', Simon and Tom Bloor (2014); Middleground, 'Objects are Associative' Kym Maxwell (2014);  Background, Peter Tyndall, 'A Person Looks At A Work Of Art / someone, looks at something ... LOGOS / HA HA (FIAPCE Education Kit prototype)' (2014), Counihan Gallery, September 5th - October 5th 2014.

Objects are Associative (2014) Counihan Gallery

HD video (2minutes: sound and audio) wood, cords, tyres, found objects, woollen blanket, Goodwill objects. 2.5m x 1.8m x 2.8m.

This Is Not The Work (2014) Group Show curated by LEVEL, QUT Creative Industries Precinct

Installation Uneducated, QUT Creative Industries Precinct (September 2014). Curated by LEVEL

This is Not The Work (2014) curated by LEVEL, QUT Creative Industries Precinct

Installation Uneducated, QUT Creative Industries Precinct (September 2014) Curated by LEVEL

Field 1968 (2014)

High Definition 3 channel video art work.Length: 33:11mins Year:2014

Performers: Nikita, Gem, Noah, Caitlin,Thenuga, Horatio, Pascal, Prairie, Eden, Noah, Patrick and India

Appearances by Holly Childs, Sean Peoples and Dan Bell.

Camera: Rachel Freery, Ali Sanderson, Bonnie Moir and Kym Maxwell

Director: Kym Maxwell

Documentation of work in progress, Field 1968 (2014)

Field 1968

Progress shot Field 1968 (2014)

Image Kym Maxwell

with my eye I select, with my hand I speak (2014)

Kym Maxwell, inkjet on Huhnemuhle Paper

This Is Not The Work: Field 1968 (2014)

Installation Field 1968, QUT Creative Industries Precinct (September 2014). Curated by LEVEL

Newsprint publication 'Industrial Estate' (2014)

Industrial Estate — Newsprint publication; Limited edition of 300. Printed in London and Melbourne; with two Risograph printed insert essays by Lisa Radford and Harriet Morgan. Designed by Ziga Testen. Photography Elliott Lauren. Curator Kym Maxwell. Price $8 @ selected bookstores

Detail: Industrial Estate newsprint publication (2014)

Industrial Estate newsprint publication, pages 8 and 9; works by Helen Grogam 'ACTION and FRAME' and Dan Bell 'Threshold' — pictured with two Risograph printed inserts.

State of Being: Concrete, Mannequin, Readymade (2014)

Industrial Estate group show (2014) Site: Woodcraft Mobiliar Factory

Detail: States of Being (2014)

Underneath the Cement table eight 3 x 5 digital prints, each documenting a street intervention of Kolara Rd

Model, Shape, Manipulate (2013)

injet print on Hahnemuhle paper, dimensions variable

Location scouting Green Paw (2013)

Location Darebin Creek, August 2013.

Location scouting for Green Paw and Field 1968 (2013)

GOODWILL: Memoirs of Yard Play Publication (2013)

42 pg colour publication. Edition 100. Produced by Kym Maxwell. Design Ross Paxman

GOODWILL: Memoirs of Yard Play Publication (2013)

The GOODWILL participatory Project documentation (2013)

students use of the model

Discussion (2013)

1/2 prints. Inject print with packaging tape, 36 x 60 cms on Huhnehuhle paper

GOODWILL: Memoirs of Yard Play (2013)

The GOODWILL Participatory Project (2013)

Outcomes Kings Ari

Install shot, Choreography of Play (2013) (collaboration with children of Charles La Trobe College)

commission by Banyule City Council for Olympic Village Bins - as part of Protective Services commission 

Green Paw production shot (2013)

Film with Julian Williams Green Paw, August 2013. Location: Woodcraft Mobiliar

La La Hi Prism Videolabel installation at Slopes Gallery (2014)

Resale of VHS video works at Slopes April 2014

GOODWILL research documentation (2013)

May 2013, Annie Dennis Childrens Center, Melbourne Australia

The trouble with Intention (2013)

West Space - 26.05.2017 - 01.07.2017-041.jpg
West Space - 26.05.2017 - 01.07.2017-116.jpg
West Space - 26.05.2017 - 01.07.2017-121.jpg
West Space - 26.05.2017 - 01.07.2017-096.jpg
West Space - 26.05.2017 - 01.07.2017-086.jpg
West Space - 26.05.2017 - 01.07.2017-140.jpg
Informal Learning (2017), George Paton Gallery
Informal Learning (2017), George Paton Gallery
Informal Learning (2017), George Paton Gallery
Informal Learning (2017), George Paton Gallery
Informal Learning  (2016) promotion image
Learning Labour installation (2017), B. 6 Monash University
Learning Labour installation (2017) Sets: A Wharfie's Story, B. 6 Monash University
Learning Labour installation (2017) Sets: A Wharfie's Story, B. 6 Monash University
Learning Labour installation (2017) Sets: A Wharfie's Story, B. 6 Monash University
16-9_Maxwell_5.jpg
16-9_Maxwell_13a.jpg
Lithograph
16-9_Maxwell_17.jpg
16-9_Maxwell_14.jpg
Learning Labour installation (2017), B. 6 Monash University
Cultural Capital and the Contract (2016) Queen Victoria Market as part of the Biennale Lab
Steiner Verse (2016), for Polyphonic Social, Liquid Architecture at Abbotsford Convent
Steiner Verse (2016), for Polyphonic Social, Liquid Architecture at Abbotsford Convent
Steiner Verse (2016), for Polyphonic Social, Liquid Architecture at Abbotsford Convent
Young Publics Theatre Troupe (2016) Promotional Flyer
Parenting is Political (with Angela Brennan) (2016) Bus Projects
16-9_Maxwell_2.jpg
Parenting is Political (2016) exhibition and website launch
location for the production, A Wharfie's Story (2015) Library of the Docks, Buluk Park,North Wharf, Melbourne
Set - Wailing Wall, A Wharfie's Story (2015) Collingwood College
Source Image (2015) Waterside Worker's Union Labour Day 1921, Melbourne
If Transmission Were Material (2015) Mural Hall, Abbotsford Convent
If Transmission Were Material (2015), Mural Hall, Abbotsford Convent
If Transmission Were Material (2015) Mural Hall, Abbotsford Convent
Theatre (2015)
theatre back turned (2015)
Nasa and Moonglow (2014) Screening ACMI, Channels
Literacy intervention (2014): Re-Raising Conciousness, TCB Art Inc
Liberty of Imagination: Duelling Spheres (Goodwill Object Research) (2014)
'Liberty of the Screen' (2014) Malahang Reserve, Heidelberg West
Uneducated (2014) Group Show curated by Kym Maxwell, Counihan Gallery
'Objects are Associative' (2014), Counihan Gallery
Uneducated Curation Project (2014) with the children of Collingwood College and Emily Floyd, Counihan Gallery
Uneducated (2014), Counihan Gallery
Install Shot / Uneducated (2014) group Show
Objects are Associative (2014) Counihan Gallery
This Is Not The Work (2014) Group Show curated by LEVEL, QUT Creative Industries Precinct
This is Not The Work (2014) curated by LEVEL, QUT Creative Industries Precinct
Field 1968 (2014)
Documentation of work in progress, Field 1968 (2014)
Progress shot Field 1968 (2014)
with my eye I select, with my hand I speak (2014)
This Is Not The Work: Field 1968 (2014)
Newsprint publication 'Industrial Estate' (2014)
Detail: Industrial Estate newsprint publication (2014)
State of Being: Concrete, Mannequin, Readymade (2014)
Detail: States of Being (2014)
Model, Shape, Manipulate (2013)
Location scouting Green Paw (2013)
Location scouting for Green Paw and Field 1968 (2013)
GOODWILL: Memoirs of Yard Play Publication (2013)
GOODWILL: Memoirs of Yard Play Publication (2013)
The GOODWILL participatory Project documentation (2013)
Discussion (2013)
GOODWILL: Memoirs of Yard Play (2013)
The GOODWILL Participatory Project (2013)
Install shot, Choreography of Play (2013) (collaboration with children of Charles La Trobe College)
Green Paw production shot (2013)
La La Hi Prism Videolabel installation at Slopes Gallery (2014)
GOODWILL research documentation (2013)
The trouble with Intention (2013)